Critical Readings
Critical Readings examines key literary texts using close reading and critical analysis, and explains these approaches in discussion. Listeners will learn about the texts themselves and about how to approach a text for critical analysis.
Episodes
CR Episode 326: The Once and Future King, Part II
The panel reads chapters 8–13 of The Sword in the Stone, with a focus on the precise nature of Merlin's magic and the 'transformations' experienced by the Wart (but not by Kay), and a detailed examination of the episode of the Ants and their collectivism.
CR Episode 325: The Once and Future King, Part I
The panel reads the first seven chapters of The Sword in the Stone, with attention given to the modern and medieval aspects of the setting, White's own narratorial voice, the differing metaphors and parallels of characterisation, and the original sources.
CR Episode 324: The Poetry of Ralph Waldo Emerson
The panel reads three poems by Ralph Waldo Emerson—"Uriel", "Ode Inscribed to William H. Channing", and "The Snow Storm"—with special attention to the role of the poet-philosopher's transcendentalist, romanticist, and abolitionist views in the poems.
CR Episode 323: A Midsummer Night’s Dream, Act V
The panel discusses the concluding act and scene of the play, with special attention to the linguistic wordplay and the Shakespearean critique of players, audiences, and critics alike in the both the play-within-a-play device and in Puck's epilogue.
CR Episode 322: A Midsummer Night’s Dream, Act IV
The panel discusses the resolution of the love quadrangle, as Puck puts right the enchantments in order to bring Oberon's original plan to fruition, before turning to consider Titania's relationship to her husband in the wake of her own enchantment.
CR Episode 321: A Midsummer Night’s Dream, Act III
The panel discusses the deployment of additional fairy magic, with the transformation of Bottom and the confounding of Helena, and the confusion that results when both Bottom and Helena misbelieve that they are subject of their friends' pranks.
CR Episode 320: A Midsummer Night’s Dream, Act II
The panel discusses the second act and the moment in the play when the plans of the characters begin to go astray due to mischance, with special attention to the tension between Titania and Oberon, and the expanding geographical knowledge of the time.
CR Episode 319: A Midsummer Night’s Dream, Act I
The panel discusses the setting and form of the play, before discussing the first act and its complicated love quadrangle, with attention given to love and the threat of violence, and the characters' creation of overlapping plans that threaten to collide.
CR Episode 318: Paradise Regained, Book IV
The panel discusThe panel discusses the end of the second temptation, with Satan's exasperation and the exhaustion of his intellect, followed by his less cunning and crafty final temptation, set high atop the pinnacle of the temple in Jerusalem, whence he falls anew.
CR Episode 317: Paradise Regained, Book III
The panel discusses the continuation of the second temptation in the desert, with Satan's various presentations of worldly power, and the explication that acceptance of any of his 'gifts' is tantamount to acknowledging his sovereignty over the recipient.
CR Episode 316: Paradise Regained, Book II
The panel discusses the second book, with special attention to the newest appearance of Satan, his confusion, and the difference between his first temptation (bread) and this second temptation (a feast), before shifting to his offer of worldly powers.
CR Episode 315: Paradise Regained, Book I
The panel discusses the first book of Paradise Regained, the sequel (or continuation) of Paradise Lost, with special attention paid to the particular qualities of the first temptation in the desert, and to the poet's references to the earlier poem.
CR Episode 314: W.H. Auden and Mediaevalism
The panel is joined by a special guest, the poet and author Aaron Poochigian, to discuss three medievally-inflected poems by Auden: "Lady Weeping at the Crossroads", "Ode to the Medieval Poets", and the 'Bombing Run' excerpt from "The Age of Anxiety."
CR Episode 313: Sense and Sensibility, Part IV
The panel discusses the closing chapters of the novel, with special attention to the quasi-reformation of Willoughby's character, the depths of villainy attained by Lucy Steele, the triumph of Col. Brandon, and Elinor's emotional displays: grief and joy.
CR Episode 312: Sense and Sensibility, Part III
The panel discusses chapters 30–39, with the unveiling of secrets including Edward and Lucy's engagement, and Colonel Brandon's connexion to Willoughby, and featuring a discussion of Colonel Brandon's good character and Willoughby's extravagant villainy.
CR Episode 311: Sense and Sensibility, Part II
The panel discusses chapters 18–29, with a omparison of the relationship of Elinore and Edward versus that of Marianne and Willoughby, a discussion of the role of leisure or industry in happiness, and a consideration of the failures of civility on show.
CR Episode 310: Sense and Sensibility, Part I
The panel discusses the first seventeen chapters of Sense and Sensibility, with special attention given to contemporary inheritance law, the character faults of the Dashwoods, and the opposition between Elinore's 'sense' and her family's 'sensibility'.
CR Episode 309: The Vanity of Human Wishes
The panel discusses Dr. Johnson's imitation of the tenth satire of Juvenal, with its message of caution about advanced age and the temptations of academic life, with special attention given to the difference lying between imitation and translation.
CR Episode 308: The Hobbit, Part V
The panel discusses the closing chapters—the battles against Smaug and between the five armies, and the journey home—with special attention to the influence of great wealth, the difference between leaders amongst the Lake-men, and Bilbo's significance.
CR Episode 307: The Hobbit, Part IV
The panel discusses the party's arrival in and departure from Lake-Town, and their arrival at and infiltration of the Lonely Mountain, with special attention to the contrast between rationalism and romanticism, particularly in the Master of Lake-Town.
CR Episode 306: The Hobbit, Part III
The panel reads chapters 8 and 9, with special attention to the episodic structure of the narrative, the maturation of Bilbo and his rising stature amongst the dwarves, the role of hunger and darkness in creating tension, and the timeframe of events.
CR Episode 305: The Hobbit, Part II
The panel discusses chapters 5–7, with examination of Tolkien's sources and the chronology of its composition, discussion about the different phases of the story's development, and a conversation about the chapter structure and roles of different races.
CR Episode 304: The Hobbit, Part I
The panel discusses the first four chapters of The Hobbit with special attention to the development of the story as a text, its features connecting it to the genres of fairy tales and bedtime stories, and its careful use of narrative foreshadowing.
CR Episode 303: Romeo and Juliet, Act V
The panel closes out Romeo and Juliet, and the year 2025, with a discussion of Friar Laurence's cowardly culpability, Romeo's impassioned importunity, Juliet's happy dagger, Paris' finest hour, and Shakespeare's interest in people of all walks of life.
CR Episode 302: Romeo and Juliet, Act IV
The panel discusses the fourth act, with attention to the self-serving plan of Friar Laurence, who imperils the two lovers by avoiding more rational courses of action in favour of one which helps him avoid scrutiny for his role in their relationship.
CR Episode 301: Romeo and Juliet, Act III
The panel discusses the third act—the 'beginning of woe'—when the drama shifts decidedly from comedy to tragedy with the departure of Mercutio and Juliet's nurse from the action, and with both Romeo and Juliet considering death rather than separation.
CR Episode 300: Romeo and Juliet, Act II
The panel discusses the second act, including the secret marriage plans facilitated by Friar Laurence, with attention given to the impetuous behaviour of Romeo and Juliet, and the dangerously enabling conduct of those around them, Mercutio excepted.
CR Episode 299: Romeo and Juliet, Act I
The panel discusses the genre classification of Romeo and Juliet before moving on to an examination of the poem's first act, with special attention given to the love-violence parallels, characterisation of the feuding families, and bawdy use of puns.
CR Episode 298: The Dunciad, Part IV
The panel concludes The Dunciad with a full reading of the standalone text that became the fourth book of the 1743 edition, before examining Pope's position within the canon of early modern literature and examining his critical appraisal of his culture.
CR Episode 297: The Dunciad, Part III
The panel reads the third book of the 1743 Dunciad, in which the poem swells to its crescendo, heaping scorn upon the agents of Dullness and the rampant spirits of ignorance and commercialism that threaten the survival of the arts from opera to poetry.
CR Episode 296: The Dunciad, Part II
The panel discusses the second book of Alexander Pope's final Dunciad (of 1743), with attention to the historical personages who are satirised, including Flecknoe and Blackmore, and the effects that they had on later poets and on the English stage.
CR Episode 295: The Dunciad, Part I
The panel reads in full the first book of Pope's final version of The Dunciad, giving special attention to the various cultural references and personal depictions in the poem, along with a look at the parodic critical footnotes provided by the author.
CR Episode 294: The Legend of Sleepy Hollow
Celebrating Halloween, the panel discusses one of Washington Irving's best-known works—The Legend of Sleepy Hollow—with special attention to the role of characterisation, historical detail, and descriptive imagery in a near contemporary to Jane Austen.
CR Episode 293: Pride and Prejudice, Part IV
The panel discusses the concluding chapters and a series of insightful reader questions about the influence of Austen's religion, the role of romance in her novels, and her development of realistic, compelling characters with flaws and areas of growth.
CR Episode 292: Pride and Prejudice, Part III
The panel discusses chapters 35–49, with special attention to the rational development of Elizabeth's appreciation of Mr. Darcy, and to Jane Austen's reformist, but not revolutionary, attitude to the social mores and expectations of Regency-era England.
CR Episode 291: Pride and Prejudice, Part II
The panel discusses chapters 18–34, with topics of interest including Mr. Darcy's concealed gallantry, whether Mr. Collins has any goodly qualities, Elizabeth's sensible regard for her family's reputation, and her internally conflicted personal values.
CR Episode 290: Pride and Prejudice, Part I
The panel reads chapters 1–17 of Pride and Prejudice, with special attention to the developing form of the novel in the Regency era, the biographical connexions between Austen's life and her novels, and the initially peripheral nature of the protagonists.
CR Episode 289: E.A. Robinson’s Gothic Verse
The panel discusses five poems by E.A. Robinson, with discussion centring on their use of the gothic, their shared imagery of death and hell (and their response), and particularly their formal qualities seen across three villanelles and two sonnets.
CR Episode 288: Edwin Muir’s Narrow Place
The panel discusses four poems from Edwin Muir's collection The Narrow Place (1943), with a focus on their formal features, their connexion to a version of Nietzsche's philosophy, and their opposed characterisation of the civilised and natural worlds.
CR Episode 287: The Beginnings of English Poetry
The panel discusses two of the earliest examples of English poetry—Caedmon's Hymn and The Dream of the Rood (sometimes attributed to Cynewulf)—with a discussion of translation theory, Saxon influence, and the development of English poetry and language.
CR Episode 286: The Rape of the Lock, Part II
The panel discusses the concluding three cantos, with attention to Pope's heroi-comic satire of epic in both content and form, and his use of references to his own involvement in the real-life events enacted by the poem's fictional protagonists.
CR Episode 285: The Rape of the Lock, Part I
The panel discusses the first two cantos of Alexander Pope's heroi-comical peacemaker poem, with special attention to its use of foreshadowing, the style and tenor of its dialogue, and its allegedly Rosicrucian spiritology (and its textual origins).
CR Episode 284: Poetry and Music
The panel is joined by the novelist H.S. Cross to discuss three poems that have been famously set to music: "The Lark Ascending" by George Meredith, "Most Glorious Lord of Life" by Edmund Spenser, and "Three Songs for St. Cecilia's Day" by W.H. Auden.
CR Episode 283: Tristram Shandy, Part XIV
The panel concludes the summer reading with the ninth and final book of Tristram Shandy, compassing the manner of the liaison between Uncle Toby and the Widow Wadman, with special attention to Toby's wound, Trim's knee, and Mrs. Shandy's constant purity.
CR Episode 282: Tristram Shandy, Part XIII
The panel reads the conclusion of the eighth book, with attention to metaphorical fortifications and battle plans, a tale of one-sided love between Corporal Trim and a Nursing Nun, and a budding romance between Uncle Toby and the Widow Wadman.
CR Episode 281: Tristram Shandy, Part XII
The panel discusses the books seven and eight, with particular attention to the parallel narratives used to describe the approach to Lyons, the different forms of bad luck Tristram encounters there, and the Widow Wadman's love for Uncle Toby.
CR Episode 280: Tristram Shandy, Part XI
The panel discusses narrative lines straight and winding in book six, and parallel trips in France in book seven, including Tristram's three visits to Auxerre: as a child, as a young man, and in the narrative 'present' when the book is being written.
CR Episode 279: Tristram Shandy, Part X
The panel discusses the majority of the sixth book, with attention to the 'picture' of the Widow Wadman, the story of Le Fever and his orphaned son, the mode of classical dress, and the rise of the novel in both its historical and literary contexts.
CR Episode 278: Tristram Shandy, Part IX
The panel discusses the conclusion of the fifth book, with attention to how the hobby horses of Trim and Toby reappear, and what they suggest about the potential truth in ancient knowledge and the pedagogical value of learning fundamental texts by rote.
CR Episode 277: Tristram Shandy, Part VIII
The panel discusses the beginning of book five, including the extreme discomfort of riding post-chaise, the concupiscent meanings which attach to ordinary words thereby rendering them unusable, and the highly irregular manner of Tristram's circumcision.
CR Episode 276: Tristram Shandy, Part VII
The panel discusses the conclusion of the fourth book, including Walter and Toby stuck on the stairs amidst further discussion of the definition of a nose (or noes), and the inflexible irrevocability of all of the mishaps that occur during the narrative.
CR Episode 275: Tristram Shandy, Part VI
The panel reads the conclusion of book three and the beginning of book four in which the topic of noses recurs and features prominently, providing an opportunity to examine how Dr. Slop and Walter Shandy can be compared to Uncle Toby and Corporal Trim.
CR Episode 274: Tristram Shandy, Part V
The panel approaches the moment of Tristram's birth beginning with the author's preface (in book 3), followed by a definition of 'nose', and a series of mix-ups involving the words 'mortar' and 'bridge' with dire implications for the unhappy newborn.
CR Episode 273: Tristram Shandy, Part IV
The panel concludes the second book and, in a series of retrograde manoeuvres, progresses through the third book until Dr. Slop is able to receive delivery of his forceps, free them from their knotted bag, and demonstrate their usage on Uncle Toby.
CR Episode 272: Tristram Shandy, Part III
The panel discusses book II, chapters 6–17 and Sterne's use of metanarrative focus on the correct art of oratory, the use of puns and textual elisions, the need to fill in details or leave them to readerly imagination, and the use of real-world sermons.
CR Episode 271: Tristram Shandy, Part II
The panel discusses Tristram's father's theories about nominative determinism, the different translations of identical biblical names, and the latest contemporary French developments regarding pre-natal baptism and its theological justifications.
CR Episode 270: Tristram Shandy, Part I
The panel begins the summer reading of The Life and Opinions of Tristram Shandy, Gentleman with a biographical overview of Laurence Sterne, followed by the first eighteen chapters, with a focus on the novel's metatextual moves and discursive structure.
CR Episode 269: Pygmalion, Act V
The panel reads the final act of Shaw's Pygmalion, and then excerpts from the epilogue, with particular attention to Shaw's preference for realism over romanticism, the utilitarian mindset of Higgins towards other people, and the role of equal treatment.
CR Episode 268: Pygmalion, Act IV
The panel reads the fourth act in full, with a discussion of Prof. Higgins' narcissism and its collision with his deepening feelings, an examination of the contemporary social strata in British society, and a review of Shaw's later additions to the act.
CR Episode 267: Pygmalion, Act III
The panel discusses the third act, in which the antisocial Higgins and the gallant Pickering are exposed as juveniles by the savvy Mrs. Higgins, and Liza's speech proves insufficiently convincing when it is not backed up by the right idioms and content.
CR Episode 266: Pygmalion, Act II
The panel discusses Shaw's work on Wagner and a brief overview of the classical inspiration for his Pygmalion, before reading the second act with attention to the characters of Professor Higgins and Mr. Doolittle, and to contemporary social conventions.
CR Episode 265: Pygmalion, Act I
The panel reads the first act of George Bernard Shaw's play Pygmalion, with an introduction to the author, and a consideration of how the play reflects Shaw's interest in social welfare, especially in the context of the works of Dickens and Trollope.
CR Episode 264: Doctor Wortle’s School, Part IV
The panel concludes the novella with a look at the primary falling action and the resolution of the Mary Wortle subplot, with particular attention to Doctor Wortle's passionate loyalty compared with the abstract moral principles of contemporary society.
CR Episode 263: Doctor Wortle’s School, Part III
The panel reads the third quarter of the novella with attention given to the romanticism of Doctor Wortle's character and how it guides his interactions with figures who disagree with his views, including his wife, Mister Puddicomb, and the Bishop.
CR Episode 262: Doctor Wortle’s School, Part II
The panel reads parts three and four with attention given to the moral, logical, and legal conundrums that perplex Doctor Wortle, and with a consideration of how Mrs. Wortle, Mr. Puddicombe, and Mrs. Stantiloupe represent differing aspects of society.
CR Episode 261: Doctor Wortle’s School, Part I
The panel reads the first two parts (or six chapters) of Trollope's fortieth novel, beginning with an introduction to the author and the text, followed by an examination of the titular character and the mystery surrounding Mr. and Mrs. Peacocke.
CR Episode 260: The Second Coming of Yeats
The panel discusses four poems by Yeats, including his most famous—"The Second Coming"—as a way of examining his understanding of a cyclical cosmology, whilst also looking at his depiction of cataclysmic events that influence or constrain free will.
CR Episode 259: John Berryman’s Eleven Addresses to the Lord
The panel reads John Berryman's "Eleven Addresses to the Lord" and considers the poems within the context of the author's biography and Judeo-Christian theology, with special emphasis on the distinction between God as abstraction and as embodied being.
CR Episode 258: Tennyson’s Tiresias
The panel reads Tennyson's Tiresias and considers its story of the blind prophet's extended (but not eternal) life in the context of what it reveals about the poet's struggle with human mortality, and about the role of prophecy and its reception.
CR Episode 257: Tennyson’s Ulysses
The panel reads Tennyson's Ulysses with special attention given to how the return to Ithaca changed Ulysses; how he may be compared to and contrasted with his son, Telemachus; and what the nature of his heroism is—narrow, selfish, noble, or courageous.
CR Episode 256: Tennyson’s Tithonus
The panel reads Tennyson's "Tithonus," a dramatic monologue written in 1833, and considers both what the poem suggests about the importance of mortality to the human condition, and its significance in the context of the death of Arthur Hallam.
CR Episode 255: Skelton’s Phyllyp Sparowe
The panel reads "The Boke of Phyllyp Sparowe" by the Tudor poet John Skelton, a poetic champion of Chaucer, and the inventor of Skeltonic verse, a roughly syllabic and strongly rhymed form of English poetry much beloved of the Henrician court.
CR Episode 254: The Poetry of A.E. Housman
The panel reads three poems by A.E. Housman, the renowned British classicist and poet, and discusses the presence of death in his poetry, the influences of Romanticism, the importance of the speaker's role, and the poetic ironies of his biography.
CR Episode 253: Pope’s Messiah
The panel reads Alexander Pope's "Messiah," based upon Virgil's Fourth Eclogue and the biblical Book of Isaiah, with a discussion of its formal qualities, its Late Augustan/pre-Romantic historical context, and its fusion of Classical and Hebraic imagery.
CR Episode 252: Julius Caesar, Act V
The panel reads the final act, reflecting on the role of Brutus as a tragic figure, with attention given to his relationship with Cassius, his misunderstanding of Antony's magnanimity, his stoic leanings, and his role in the final battle at Philippi.
CR Episode 251: Julius Caesar, Act IV
The panel reads the fourth act, with special attention to the fraught relationship between Brutus and Cassius, the political situation in the late Roman Republic, and the declining fate of the conspiracy in the wake of Marc Antony's speech to the plebs.
CR Episode 250: Julius Caesar, Act III
The panel discusses the play's self-awareness, its complexity of character, the presence of character flaws which serve to advance the action of the drama, and the contrast between reason and emotion, rhetoric and sophistry, and idealism and pragmatism.
CR Episode 249: Julius Caesar, Act II
The panel discusses the the play's contrasts of public and private settings, its parallelism of scenes and characters (especially Calphurnia and Portia), and how Caesar's hubris, confidence, and superstition ultimately prove to bend the hinge of fate.
CR Episode 248: Julius Caesar, Act I
The panel discusses the first act of Shakespeare's Julius Caesar, with attention to Caesar's biographies, the fraught sociopolitical situation in Rome, the thread of ambition that runs through the play, and Cassius' crafty manipulation of Brutus.
CR Episode 247: In Parenthesis, Part II
The panel discusses the biographical details of David Jones, and his participation in the Great War, before reading parts 5–7 of In Parenthesis, with attention to the role of mechanisation and the inversion of traditional forms of warfare and defence.
