The Week in Art
From breaking news and insider insights to exhibitions and events around the world, the team at The Art Newspaper picks apart the art world's big stories with the help of special guests. An award-winning podcast hosted by Ben Luke.
Episodes
Art Basel Paris opens and closes amid protests, Latin American culture wars, a Chinese celestial map
As protests engulf Paris, the Art Basel fair opened this week in the French capital and then it was announced that the fair would conclude on Friday, and not open as scheduled this weekend. The Art Newspaper’s global editor-in-chief, Ben Sutton, and our chief contributing editor, Gareth Harris, visited the fair before the announcement of the weekend closure and we hear what they made of it and the
Frieze in London, Tarek Atoui at Tate Modern, Sienese sculptor Francesco di Giorgio
It’s Frieze week in London, and as usual we take the opportunity to take the temperature of the market in London, and more widely, at the fair. Joining Ben Luke in the tent in Regent’s Park is The Art Newspaper’s art market editor, Kabir Jhala. At Tate Modern, the annual commission for the Turbine Hall is Hold, a work by the Beirut-born artist Tarek Atoui, and Ben visits Tate Modern to talk to him
Palestinian artists after the ceasefire, Robert Ryman, Katherine Hubbard
Saturday, 10 October, marks the first anniversary of the ceasefire in Gaza. It has not put an end to the bloodshed, with figures released in August by the United Nations Human Rights Office stating that more than 1,200 Palestinians have been killed by Israel since last October. The Art Newspaper’s reporter Sarvy Geranpayeh has been reporting on the lives of Palestinian artists since soon after the
Renoir and Love in London, political storm around Kanal in Brussels, Ronald Moody
The French painter Auguste Renoir continues to divide critical opinion, something acknowledged by the curators of the new exhibition, Renoir and Love, at the National Gallery in London. But he remains enormously popular: the Gallery announced ahead of the show that it had broken records for advanced ticket sales. So what does the exhibition tell us about Renoir’s place in the radical developments
Cezanne in Paris, Taryn Simon in New York, Magritte in London
At the Grand Palais in Paris a new exhibition explores Paul Cezanne’s influence on artists from his own time to now. In Paris, Ben Luke speaks to Xavier Rey, the director of the Musée National d’Art Moderne at the Centre Pompidou, who is one of four curators of the exhibition, Cezanne and Us. In New York, the Guggenheim has just opened Taryn Simon’s latest project, called Father Country I Do Love
Giotto restored in Florence, Biennale de Lyon, Remedios Varo
After a four-year restoration, the Bardi Chapel in the Basilica of Santa Croce in Florence, in which Giotto depicted scenes from the life of St Francis of Assisi in the early 14th century, has reopened. Ben Luke talks to Emanuela Daffra, superintendent of the Opficio delle Pietre Dure, which conserves Italian heritage, and Donata Grossoni, art historian at the Opera di Santa Croce, about the work
The Bayeux Tapestry, damaged heritage in Iran, Tschabalala Self’s Trafalgar Square sculpture
It is one of the museum events of the century so far: the Bayeux Tapestry has been lent from its dedicated museum in Bayeux in Normandy, France, to an exhibition at the British Museum in London, which is now open to visitors. The Art Newspaper’s digital editor, Alexander Morrison, visits the British Museum to speak to Lloyd de Beer, one of the show’s four curators, to discuss this momentous exhibi
What did you miss? Summer art world news and what’s coming up
In this first episode of the autumn season, we are focusing on the news you might have missed in a busy couple of months in the art world in July and August. The Art Newspaper’s global editor-in-chief Ben Sutton joins host Ben Luke to talk about the latest news from the Americas, including US museums, and pays tribute to some of the major artists who died in the past couple of months. Our art mark
Frida Kahlo at Tate Modern, the Brexit effect, a Renaissance tarot deck
This last episode of the current season begins with Frida Kahlo. Tate Modern in London this week opened Frida: The Making of an Icon, an exhibition that began at the Museum of Fine Arts in Houston earlier this year and which explores the Mexican artist’s paintings but also her influence on other artists and wider cultural forms. Ben Luke speaks to Tobias Ostrander, the co-curator of the exhibition
Art Basel in Basel, Pierre Huyghe interview, James Turrell
Kabir Jhala, The Art Newspaper’s art market editor, joins Ben Luke to discuss this year’s Art Basel, the big sales and the wider mood music. Pierre Huyghe has an exhibition at the Beyeler Foundation in Riehen, just outside Basel, and Ben speaks to him about it. And this episode’s Work of the Week is As Seen Below – The Dome, a Skyspace by the US artist James Turrell, which opens this week at ARoS,
Pan-Africanism in London, the health benefits of art, Barbara Hepworth
The exhibition Project a Black Planet: The Art and Culture of Panafrica began its life at the Art Institute of Chicago before travelling to Museu d’art contemporani de Barcelona (Macba) in Barcelona and now to the Barbican in London, in each case changing in relation to the particular circumstances of its location. One of the show’s curators is Elvira Dyangani Ose, the director of the Barcelona mu
Yemen heritage, US flags at the National Gallery in Washington, Felix Gonzalez-Torres
After years of civil war and continuity violence, Yemen’s heritage has suffered hugely, with buildings damaged across the country and antiquities looted. Yet across the country, there is a determination to protect and restore its historical landmarks and cultures. Ben Luke speaks to Melissa Gronlund, one of The Art Newspaper’s reporters on the Middle East, about these efforts. At the National Gall
Smithsonian Women’s Museum chaos, Oliver Beer and Rufus Wainwright, Jasper Johns in Bilbao
The Smithsonian Institution in Washington, D.C. has faced unprecedented scrutiny and government interference since President Trump came to power. Now, its long cherished plans for a Smithsonian American Women’s History Museum on the National Mall in D.C. have been dealt a blow because the US House of Representatives has struck down a bill to build the museum. Ben Luke talks to Elena Goukassian, Th
New York auctions, James McNeill Whistler at Tate Britain, Edvard Munch
This season’s much anticipated auctions in New York have brought some records and eye-popping prices, including for works by Jackson Pollock, Constantin Brancusi and Mark Rothko, and some more middling results. Ben Luke talks to Judd Tully, who has been reporting on some of the sales for The Art Newspaper. The largest show of the art of James McNeill Whistler in Europe for more than 30 years has j
Frieze New York, the Cranach in Hitler’s Munich apartment, Ajamu X
The latest edition of Frieze New York is open now and we hear all about this year’s fair from The Art Newspaper’s editor-in-chief in the Americas, Ben Sutton, and our art market editor, Kabir Jhala. Cupid Complaining to Venus (1526-27), a painting by Lucas Cranach the Elder in the National Gallery in London has long been known to have a complicated provenance and was once in the possession of Adol
Venice Biennale Special 2026
It’s Venice Biennale opening week and so, as ever, this episode is our Venice special. The Biennale comprises many aspects: an international exhibition that this year features more than 100 artists in the Central Pavilion in the Giardini—Venice’s easternmost gardens—and the Arsenale, the historic Venetian shipyards, as well as national pavilions and, across the city, countless official collateral
Zurbarán in London, the Carnegie International, Walter Sickert’s Ennui
The largest career survey of the great 17th-century Spanish master Francisco de Zurbarán since the 1980s opens this weekend at the National Gallery in London. It presents a more rounded perspective on an artist best known for his austere paintings of saints and other religious subjects. Ben Luke takes a tour of the show with its co-curator, Francesca Whitlum-Cooper. The latest edition of the Carne
Chernobyl 40 years on, Paula Rego at Munch in Oslo, Gluck’s flower painting
This Sunday, 26 April, marks the 40th anniversary of the accident at the Chernobyl nuclear reactor in Soviet Ukraine. It is the most serious disaster ever to occur in the nuclear power industry, with widespread effects then and now. An exhibition at the Nikolaikirche in Potsdam, Germany, called The Chernobyl disaster: 40 years ago and yet still relevant, continues until Monday 27 April, and Ben Lu
Museum openings: V&A East and Los Angeles County Museum of Art. Plus, William Blake in Dublin
Two museum openings feature on this week’s podcast—V&A East in London and the Los Angeles County Museum of Art.In our 300th episode in 2024, Gus Casely Hayford, the director of the V&A East, told us about the community-driven programming at the museum and its connection with its local environment in East London. Now, as the museum opens, he takes Ben Luke on a tour of its commissions, disp
Marcel Duchamp at MoMA, Dorothea Tanning book, Leonora Carrington at the Freud Museum, London
Three artists who in different ways connect to the Surrealist movement are the subject of this week’s podcast. At the Museum of Modern Art in New York, the first major US survey of the full career of Marcel Duchamp since 1973 opens this weekend, before travelling later in the year to Philadelphia. Ben Luke talks to its curators at MoMA, Ann Temkin and Michelle Kuo. A new book, Dorothea Tanning: A
Should English museums charge tourists? Plus, Raphael at the Met and Senga Nengudi at the Whitechapel Gallery
The UK government last week issued a response to a report ostensibly exploring the future of the funding body Arts Council England but containing an idea that has prompted much debate: that the government should consider changing its policy of free admission for all to national museums in England, and charge tourists an entry fee. Ben Luke discusses the report and the charging issue with Gareth Ha
Matisse’s explosive finale and a new chapter for Hong Kong? Plus, Schiaparelli and Dalí
The Grand Palais in Paris this week unveiled an enormous exhibition focusing on the final 13 years of Henri Matisse’s life and work, a project conceived by the Centre Pompidou. The show includes abundant examples of the celebrated gouache cut-outs, his works for the Chapel of the Rosary in Vence, and his final paintings, drawings, and illustrated books, among much else. Ben Luke interviews the exh
New Museum extension opens, NextGen collectors, a Wardian Case in Oxford
The New Museum in New York opens its new extension, designed by Shohei Shigematsu and Rem Koolhaas of the architectural practice OMA, this week. Ben Luke talks to Massimiliano Gioni, the New Museum’s artistic director, and the co-curator of the inaugural exhibition in the new building, called New Humans: Memories of the Future. We then speak to one of The Art Newspaper’s editors-at-large, Georgina
Iran war: art communities and heritage in Iran, moderate recovery in the art market, Cannupa Hanska Luger at the Sydney Biennale
As the war in the Middle East continues to rage, Ben Luke speaks to The Art Newspaper’s reporter on Iran and other countries in the region, Sarvy Geranpayeh, about the response of cultural communities in Iran and Lebanon, and the damage to heritage in both countries. The latest edition of the Art Basel and UBS Global Art Market Report has been published and shows that the market has returned to gr
Iran war and culture in the Gulf, the Whitney Biennial, Rembrandt discovery
As the war against Iran instigated last week by Israel and the United States continues to spread through the Middle East, we explore how it affects tourism in the Arabian Gulf, of which art and culture more generally have been a cornerstone. One of The Art Newspaper’s Middle East correspondents, Melissa Gronlund, joins Ben Luke to discuss the latest news. The 82nd biennial at the Whitney Museum of
Venice Biennale details revealed, Beatriz González, Tracey Emin
Following the tragic death of Koyo Kouoh last May, the details of her final project—In Minor Keys, the international exhibition of the 2026 Venice Biennale—were unveiled this week by the collaborative team that will carry through her vision for the show. Ben Luke speaks to The Art Newspaper’s editor-at-large Jane Morris, about the show’s themes and strands and the artist list. The Barbican Art Gal
National Gallery’s deficit bombshell, Simon Schama on birds and art, Vilhelm Hammershøi
After opening a major building project in May last year and announcing the details of another in September, which is due to open in the early 2030s, the National Gallery in London has revealed, quite unexpectedly, that it has to make serious cuts, including to its staff, in the face of a deficit that could rise to £8.2m in the coming year. Martin Bailey, The Art Newspaper’s special correspondent i
The US struggles with history, Stephen Friedman Gallery closes, Tudor Heart pendant acquired by the British Museum
On 4 July 2026 the US will mark the 250th anniversary of the Declaration of Independence, the nation’s founding document. But huge divisions in US society and culture are symbolised in a number of disputes relating to its history and the representation of its people. The latest furore came this week, when it emerged that the Trump administration had removed the rainbow Pride flag from the Stonewal
Art Basel Qatar, Dürer portrait debate, Paula Modersohn-Becker and Edvard Munch
The first Art Basel Qatar art fair is now open in Qatar’s capital, Doha, and The Art Newspaper’s art market editor, Kabir Jhala, joins Ben Luke to discuss its impact, as well as reflecting on the wider artistic outlook in Qatar and the Middle East. The author of a new catalogue raisonné of the work of Albrecht Dürer argues that a painting of the artist’s father in the National Gallery in London, l
Venice Biennale: South African pavilion scandal, Marian Goodman remembered, Paul Cezanne in Basel
The South African culture minister, the right-wing populist Gayton McKenzie, is attempting to cancel the project for South Africa’s pavilion at the forthcoming Venice Biennale, proposed by the artist Gabrielle Goliath and curator Ingrid Masondo. Goliath and Masondo have appealed to the country’s president and submitted a case to its high court to overturn McKenzie’s decision. Ben Luke speaks to Ch
Smithsonian’s African LGBTQ+ exhibition, art and the Iran crisis, Louise Nevelson at the Pompidou Metz
The Smithsonian’s National Museum of African Art in Washington, D.C. this week opens Here: Pride and Belonging in African Art, a new exhibition focusing on LGBTQ+ artists from across Africa and its diaspora. Ben Luke talks to its co-curator, Kevin Dumouchelle, about the exhibition and forthcoming book. We explore the cultural effects of the protests in Iran that began at the end of last year, and
Hawai’i at the British Museum, a Venice palazzo for sale, Joseph Beuys’s Bathtub
As the British Museum opens Hawaiʻi: a kingdom crossing oceans, Ben Luke takes a tour of the exhibition with the museum’s head of Oceania, Alice Christophe. We also hear about the museum’s fresh approach to the stewardship of its collection of Hawaiian objects and materials. In Venice, one of the most famous palazzi on the Grand Canal, the Ca’ Dario, is up for sale and we discuss the building
The Year Ahead 2026: the big shows and the key openings
It is the first episode of 2026. So we look ahead at the next 12 months with a guide to big museum openings, biennials and exhibitions. Ben Luke is joined by Jane Morris, editor-at-large at The Art Newspaper and Cultureshock, and Gareth Harris, chief contributing editor at The Art Newspaper, to discuss the key art fairs, major museum building projects and the top biennials of the year, and we pick
2025: our review of the year
As always, the final episode of The Week in Art of the year is a review of the past 12 months. To look at the top stories, the big issues and the best art in 2025, host Ben Luke is joined by The Art Newspaper’s contemporary art correspondent, Louisa Buck, our art market editor, Kabir Jhala, and Ben Sutton, our editor-in-chief, Americas. We reflect on subjects from the Los Angeles wildfires in Janu
Frank Gehry remembered, Serpentine and FLAG Art Foundation prize, Joan Semmel
Frank Gehry, the architect behind the Guggenheim Bilbao, Geffen Contemporary at MoCA, Los Angeles, and the Fondation Louis Vuitton in Paris, among other museums and art spaces, died last Friday at his home in Santa Monica, California. He was 96. Ben Luke discusses his long engagement with art, artists and museums with Paul Goldberger, the architecture critic and Gehry’s biographer. Serpentine and
Art Basel Miami Beach, Louvre crisis deepens, Helene Schjerfbeck
The Art Newspaper’s editor-in-chief, Americas, Ben Sutton, and art market editor, Kabir Jhala, are in Miami Beach for Art Basel’s latest edition and discuss the top sales and the wider mood at the fair. As staff at the Musée du Louvre in Paris vote to strike, Ben Luke talks to Vincent Noce, our correspondent in Paris, about the deepening crisis at the museum, following the robbery in October. And
The US Venice Biennale saga, Queer Islamic art in Oslo, Duane Linklater in Ottawa
After a delayed application process and an aborted initial commission, the US has at last appointed its artist for next year’s Venice Biennale: the Utah-born, Mexico-based artist Alma Allen. The Art Newspaper’s editor-in-chief in the Americas, Ben Sutton, talks Ben Luke through this confusing saga. At the National Museum of Norway in Oslo a new exhibition, Deviant Ornaments, focuses on the express
The $236m Klimt, Cop 30 and the art world, Caravaggio’s Victorious Cupid
Gustav Klimt’s Portrait of Elisabeth Lederer (1914-16) sold for the second highest price ever realised at auction at Sotheby’s in New York on Tuesday. It was the most notable of several big sales in the sold-out (or “white-glove”) auction of 24 works from the collection of the late billionaire Leonard Lauder, and has prompted some commentators to declare that the art market has turned a corner fol
Studio Museum in Harlem, Grand Egyptian Museum, Stanley Spencer
Studio Museum in Harlem, Grand Egyptian Museum, Stanley SpencerAs the Studio Museum in Harlem opens in its first ever purpose-built space, a new building by the architects Adjaye Associates, The Art Newspaper’s editor-in-chief in the Americas, Ben Sutton, speaks to Thelma Golden, the museum’s director, and Ben Sutton then gives reviews the building and the inaugural programming with Ben Luke. In E
MFA Boston returns enslaved artist’s work to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi
The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a cer
Gauguin “fake” is real, Mrinalini Mukherjee and her circle, Franz Xaver Messerschmidt’s head piece
The authenticity of the final self-portrait by Paul Gauguin, made in 1903 and housed in the Kunstmuseum in Basel, was earlier this year called into question. Now, the museum has completed its promised analysis, and confirmed that the painting is not a fake and is by Gauguin. Ben Luke talks to The Art Newspaper’s special correspondent, Martin Bailey, about the saga. In recent years, the l
Louvre heist: the fallout, RoseLee Goldberg on the Performa Biennial, Wayne McGregor on his new installation
It is an event that has shocked the world and prompted a national reckoning in France: the robbery of eight jewels from the Apollo Gallery of the Louvre last Sunday. Ben Luke talks to Anaël Pigeat, editor-at-large of The Art Newspaper France and journalist at Paris Match, and Dale Berning Sawa, a regular contributor to The Art Newspaper, about the heist, the reaction, the political fallout and wha
Frieze in London, Hypha Studios and Renoir’s drawing for The Great Bathers
Amid much debate about the health of the art market, Frieze is back in London, with its two fairs, Frieze London and Frieze Masters. Ben Luke talks to The Art Newspaper’s art market editor, Kabir Jhala, about the mood in the big tents in Regent’s Park. Beyond Frieze, of course, is a vast parallel art world, with thousands of unrepresented artists and curators keen to realise their big ideas. Hypha
Nigerian Modernism, Tehran’s art scene after the war, Wayne Thiebaud’s Cakes
Tate Modern continues to explore the histories of Modern art beyond the European and North American canons that were once its focus. This week it opened the exhibition Nigerian Modernism, and The Art Newspaper’s digital editor, Alexander Morrison, speaks to the show’s co-curator, Osei Bonsu, and to one of the 50 artists in the exhibition, Jimoh Buraimoh. Before the 12-day war between Israel and Ir
Who made ancient Egyptian art? Plus, Michaelina Wautier, Robert Rauschenberg’s Bed
A new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used. The Art Newspaper’s digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship
Museums and ethics, Fra Angelico in Florence, Cornelia Parker’s PsychoBarn
The Art Newspaper’s chief contributing editor, Gareth Harris, has just published a new book, Towards the Ethical Art Museum, which explores a range of issues affecting museums in the 21st century, from questions of provenance and restitution to funding and governance and responsibilities to staff and the communities the museums serve. He joins Ben Luke to discuss the book. One of the exhibitions o
Kerry James Marshall, National Gallery expansion, Picasso’s Three Dancers
Kerry James Marshall: The Histories at the Royal Academy of Arts in London is the largest ever European retrospective of the work of the US artist and has been greeted with universal critical acclaim. Ben Luke takes a tour of the exhibition with Mark Godfrey, its curator, and visits a related exhibition of Marshall’s graphic novel project, Rythm Mastr, at The Tabernacle in Notting Hill, London, wi
David Bowie Centre, Bukhara Biennial, Hilton Als on Jean Rhys, Hurvin Anderson and Kara Walker
Earlier this year, we took a tour of the V&A East Storehouse, the Victoria and Albert Museum’s vast new complex in East London. This week, it opens the David Bowie Centre, a dedicated space to the music icon. It is the permanent repository of thousands of items from Bowie’s archive, which are on display and also available for personal study. Ben Luke explores the displays at the centre with th
Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum
Since we were last on air in June, the US government has announced what it calls a comprehensive internal review of activities at eight of the 21 museums under the umbrella of the Smithsonian Institution. Meanwhile, one of those museums, the National Portrait Gallery in Washington, D.C., saw the artist Amy Sherald cancel a long-scheduled exhibition of her work, citing censorship and institutional
Arthur Jafa and Mark Leckey, Cecilia Alemani on SITE Santa Fe, Trisha Brown and Robert Rauschenberg
An exhibition opens this weekend at Conditions, the low-cost studio programme for artists in Croydon, on the outskirts of south London, featuring two of the great works of art of recent decades: Mark Leckey’s Fiorucci Made Me Hardcore (1999) and Arthur Jafa’s Love is the Message, the Message is Death (2016). Ben Luke talks to Mark and AJ about showing together and the affinities and contrasts in t
Art Basel, human remains in Dutch museums, Eva Hesse
The Art Newspaper’s digital editor Alexander Morrison is in Basel for the annual Art Basel fair. He talks to our art market editor, Kabir Jhala, about the atmosphere at the fair after a long downturn in the art market and underwhelming auctions last month in New York. While some major museums around the world would rather avoid the topic of returning objects acquired in the colonial period to thei
Rachel Jones, Liverpool Biennial, UK Aids Memorial Quilt at Tate Modern
The Dulwich Picture Gallery, the UK’s first purpose-built public art gallery, is hosting an exhibition of one of Britain’s brightest young painting talents, Rachel Jones. Ben Luke visits the gallery to talk to her about the paintings—giant and tiny—in the show. The latest Liverpool Biennial has just opened in that great British city; Louisa Buck, The Art Newspaper’s contemporary art correspondent,
London Gallery Weekend, Brazil’s National Museum, Jane Austen at the Morgan
The fifth edition of London Gallery Weekend takes place this weekend, and opens as the global art market is at a low ebb. So what can it do to change the mood? Ben Luke speaks to Ananya Mukhopadhyay, the managing director of Ames Yavuz, which is opening a new London gallery to coincide with the weekend events, and Jeremy Epstein, co-director of the Edel Assanti gallery, who is the co-founder and c
Museum openings: V&A East Storehouse and the Met’s Rockefeller Wing, plus Rachel Whiteread at Goodwood Art Foundation
We visit major museum projects unveiled this week in London and New York: Ben Luke takes a tour of V&A East Storehouse in London’s Queen Elizabeth Olympic Park, which offers unprecedented access to the Victoria and Albert Museum’s collection. He meets the deputy director of the V&A, Tim Reeve, and speaks to key members of the team that are making this radical museological vision for London
Jean Tinguely’s 100th anniversary, Fenix Museum, Ben Shahn
A host of exhibitions and events this month and next celebrate the 100th anniversary of the birth of the Swiss artist Jean Tinguely, one of the godfathers of kinetic and auto-destructive art. Ben Luke speaks to Roland Wetzel, the director of the Tinguely Museum in Basel about the artist’s life and work, and the events marking the centenary. In Rotterdam in the Netherlands, Fenix, a museum about mi
Koyo Kouoh remembered, Queen Elizabeth II memorial, Jasper Johns by Robert Storr
Koyo Kouoh remembered, Queen Elizabeth II memorial, Jasper Johns by Robert StorrKoyo Kouoh, the Cameroon-born curator who was director of Zeitz Mocaa in Cape Town and had been invited to curate next year’s Venice Biennale died on 10 May. There has been an outpouring of moving tributes to Kouoh from artists, curators and gallerists across the world, and Ben Luke speaks to Nolan Oswald Dennis, the J
London: National Gallery refurb and rehang, Tate Modern is 25. Plus, Inge Mahn
This week: after a two-year closure, the National Gallery’s Sainsbury Wing reopens this week, revealing a major overhaul by the architect Annabelle Selldorf. The gallery has also rehung its entire collection and Ben Luke takes a tour of both the revamped building and the new displays with the National Gallery director, Gabriele Finaldi. Tate Modern celebrates its 25th anniversary this weekend, and
Frank Auerbach’s Berlin homecoming, human remains and museums, Ian Hamilton Finlay’s ‘Republic’
During his lifetime, the late artist Frank Auerbach never had an exhibition in Berlin, the city of his birth, which he left for the UK in 1939 to escape the Nazis. This weekend, the first show of his work in the German capital opens at the Galerie Michael Werner. Our digital editor, Alexander Morrison, went to Berlin to talk to the artist’s son, the filmmaker Jake Auerbach, about the exhibition. A
Pope Francis and art, JMW Turner’s 250th birthday, John Singer Sargent’s Madame X
Following the death of Pope Francis on Easter Monday, The Art Newspaper’s managing editor, Louis Jebb, who has written an extensive obituary of the late pontiff, joins Ben Luke to talk about the late pope’s engagement with art and with the Vatican art collections. Wednesday 23 April was the 250th anniversary of the birth of JMW Turner, one of the greatest British artists. A host of exhibitions and
Christine Sun Kim and Thomas Mader, teamLab in Abu Dhabi, Vermeer’s final painting?
ollowing on from opening her exhibition at the Whitney Museum of American Art, which continues until August, the US-born, Berlin-based artist Christine Sun Kim this week opened a show in London in collaboration with Thomas Mader. The exhibition, 1880 THAT, uses a notorious historic conference in Milan in 1880, which effectively outlawed sign language in Deaf education, as a springboard to explore
Trump’s assault on museums and libraries, the art market’s 12% fall, Evie Hone and Mainie Jellett
In two-and-a-half months since the inauguration of President Donald Trump, a series of executive orders and other initiatives have attempted systematically to eliminate and defund some of the federal agencies responsible for the distribution of federal money to museums, libraries and other organisations. The Art Newspaper’s editor-in-chief in the Americas, Ben Sutton, joins Ben Luke to discuss wha
Museum visitor figures—highs and lows, William Morris mania, Marguerite Matisse, the unsung hero of her father’s art
he Art Newspaper’s annual report on museum visitor figures is out and shows that the slow build-back after the Covid-19 closures is over, and museums are back at what we might consider their “natural level”. Host Ben Luke talks to the co-editor of our report, Lee Cheshire, about what that means, and who were last year’s big winners and losers. A new exhibition at the museum in the former London ho
The Frick: Annabelle Selldorf interview and our review. Plus, Taiso Yoshitoshi
After a five-year closure, the Frick Collection in New York will reopen to the public on 17 April and this week opened its doors to the press. The Gilded Age mansion, created on Fifth Avenue for the industrialist Henry Clay Frick, has been restored and enhanced by Selldorf Architects, with the executive architect Beyer Blinder Belle. It is the biggest upgrade to the building since it first became
Jack Whitten at MoMA, New York, Paris Noir at the Pompidou, Arpita Singh at the Serpentine
The largest ever exhibition of the work of Jack Whitten opens this weekend at the Museum of Modern Art (MoMA), New York. Ben Luke speaks to Michelle Kuo, the curator of the show, about the political and experimental commitment that drove Whitten’s remarkable body of work. In Paris, one of the final exhibitions to open at the Centre Pompidou before it closes for five years was unveiled this week. P
The big art slowdown, Dutch funding crisis, Bruegel’s Hunters in the Snow
After a challenging year in which international galleries, auction houses and museums have been forced to scale back their operations and make redundancies on an alarming scale, a slower, more considered approach to business seems to be emerging. So are we into an era of longer, more in-depth exhibitions and bespoke events concerned more with authentic connection than flashy spectacle? Ben Luke ta
Censorship and Australia’s Venice Biennale pavilion, a controversial AI auction, and Elizabeth Catlett in Washington
It seems absurd that more than a year ahead of the next Venice Biennale, one of the major pavilions in the Giardini might be empty for next year’s event. But that is the dilemma facing Creative Australia, which is responsible for that country’s Biennale presentation. Last month, it announced the team comprising the Lebanese-born Sydney-based artist Khaled Sabsabi and the curator Michael Dagostino
Leigh Bowery at Tate Modern, Ukraine and art—three years on, Max Beckmann and the Gothic Modern
Tate Modern this week opened a vast exhibition exploring the life and work of the maverick Australian-born performance artist, fashion designer and self-styled “club monster”, Leigh Bowery, as well as the variety of cultural figures in his orbit in London. It coincides with other related London shows: one analysing the fashion work of Bowery and his collaborators and peers at the Fashion and Texti
Gee’s Bend quiltmakers, “Degenerate” Art in Paris, and Mel Bochner remembered
Shows opening in Washington and Dublin this month explore quiltmaking by African American women. Ben Luke talks to Raina Lampkins-Fielder, chief curator for the Souls Grown Deep Foundation, and the organiser of the exhibition Kith & Kin: The Quilts of Gee’s Bend at the Irish Museum of Modern Art (IMMA), about the history of quiltmaking in this small part of Alabama, and the growing recognition
Anselm Kiefer, Hoor al Qasimi on Sharjah, a Picasso Blue Period mystery
Next month, the German artist Anselm Kiefer will be 80, and the first of a number of shows internationally to mark this landmark moment opened this week at the Ashmolean Museum, Oxford, UK. It focuses on his early works, and Ben Luke visits Oxford to discuss this pivotal moment in his career with Lena Fritsch, the curator of the exhibition. The latest edition of the biennial in the United Arab Emi
Trump tariffs and Zona Maco in Mexico, India Art Fair, and American photography at the Rijksmuseum
Last weekend, the US President Donald Trump signed executive orders placing 25 percent tariffs on Mexico and Canada, which were due to take effect on Tuesday. But at the last minute, the tariffs were postponed, at least for a month. Inevitably, though, the talk of a trade war set nerves jangling at Zona Maco, the art fair in Mexico City, which opened on Wednesday. Ben Luke speaks to Ben Sutton, Th
Peter Hujar, Gregg Bordowitz and Rotimi Fani-Kayode: art and the Aids struggle
Peter Hujar, Gregg Bordowitz and Rotimi Fani-Kayode are three artists whose work reflects in different ways on the Aids crisis that has devastated communities across the world since the 1980s. Hujar, who died from Aids-related pneumonia in 1987, is the subject of a new show at Raven Row in London, the largest to date at a UK gallery. Host Ben Luke takes a tour of the show with its curators, the wr
Artists in Gaza respond to the ceasefire, Cimabue at the Louvre, a Baroque printmaking family
The Art Newspaper’s correspondent for the Middle East, Sarvy Geranpayeh, has been reporting on the effect of Israel’s military bombardment of Gaza on artists and art workers there since the beginning of the Israel-Hamas conflict in 2023. In the wake of the three-stage ceasefire that began last Sunday, she has returned to those she has spoken to over the past 16 months to hear their views on the ag
Los Angeles wildfires, World Monuments Fund’s watch list, Katsushika Hokusai
This week: the Los Angeles wildfires. The Art Newspaper’s West Coast contributing editor in LA, Jori Finkel, tells our associate digital editor, Alexander Morrison, about the devastation in Southern California, and its effect on artists and institutions. The World Monuments Fund (WMF), the independent organisation devoted to safeguarding global heritage has released its biennial World Monuments Wa
The Year Ahead 2025: market predictions, the big shows and openings
A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exh
2024 in review: the biggest stories and the best shows
It is the final episode of 2024 and so, as always, we review the year, looking at the top stories, the big issues and the best art. Host Ben Luke is joined by The Art Newspaper’s contemporary art correspondent, Louisa Buck, our art market editor, Kabir Jhala, and Ben Sutton, our editor in the Americas. Under discussion, among much else: the growing faultlines between institutions and artists in re
Carsten Höller, Takashi Murakami, Dia’s Echoes from the Borderlands
This week, three artist interviews: Carsten Höller on his book of games, Takashi Murakami on his new work, and Valeria Luiselli and Leo Heiblum on their Dia sound installation. Höller is the author of a book featuring 336 games that can be played alone, in pairs or in groups, without any props. He tells Ben Luke about art and play and his perennial quest for unpredictability. Takashi Murakami has
Art Basel Miami Beach, Notre-Dame reopens in Paris, and Parmigianino’s Vision of St Jerome
The Art Newspaper’s editor, Americas, Ben Sutton, and our art market editor, Kabir Jhala, are in Florida and report on the sales and the mood on the first VIP day at Art Basel Miami Beach. On 8 December, the cathedral of Notre-Dame in Paris will reopen, more than five years after the fire that partly destroyed it. Ben Luke talks to one of the architects responsible for its rise from the ashes, Pas
Art and technology shows in London and Los Angeles, a restored 17th-century cosmic atlas
Two exhibitions have just opened that look at art and tech: in London, Tate Modern’s Electric Dreams: Art and Technology Before the Internet celebrates the pioneers of kinetic, programmed and digital art, and offers a kind of origin story of contemporary immersive installation. Ben Luke speaks to Val Ravaglia, the co-curator of the show, amid the blinking lights and bleeping sound. In California,
The $6.2m banana, Frank Auerbach remembered, Lindokuhle Sobekwa’s photographs of addiction in South Africa
Maurizio Cattelan’s Comedian (2019), the work featuring a banana stuck to a wall with grey duct tape, sold at Sotheby’s in New York, on Wednesday for $5m or $6.2m with fees. But how did other works fare at this week’s auctions in New York? Ben Luke talks to Ben Sutton, The Art Newspaper’s editor, Americas, about the sales. Frank Auerbach, the painter who escaped the Holocaust and dedicated more th
Episode 300! British Museum, Tate Modern and V&A East directors in discussion
UK museums are at a moment of transformation with a new generation of directors taking the helm at several of the major national institutions in London. So for this landmark 300th episode, we felt it was a good moment to look at the challenges and opportunities for museums now and in the future. We invited Gus Casely-Hayford of V&A East, Nicholas Cullinan of the British Museum and Karin Hindsb
