Material Matters with Grant Gibson
In Material Matters, host Grant Gibson talks to a designer, maker, artist, architect, engineer, or scientist about a material or technique with which they’re intrinsically linked and discovers how it changed their lives and careers. The podcast is produced and published by Delizia Media Ltd.
Episodes
Artist Nicola Turner on horsehair, sheep's wool and her solo show at the Yorkshire Sculpture Park.
Nicola Turner is a UK-based artist who is best known for her use of horsehair and wool in her extraordinary, and often quite dark, sculptures. She originally trained as a theatre designer – working for the likes of the National Theatre, Royal Shakespeare Company, and the Sydney Opera House – before doing a Fine Art MA in her fifties. Since then, her work has featured in a string of locations – mos
John Tuomey on the importance of materials in architecture, designing London's V&A East, and his new book, Middle Quarter.
Dublin-based architect John Tuomey first appeared on Material Matters in 2024 to talk about his brilliant memoir, First Quarter. Now he’s written the follow-up, unsurprisingly entitled, Middle Quarter. John is the co-founder of O’Donnell + Tuomey. He was the inaugural professor of Architectural Design at University College Dublin and visiting professor at Princeton, Harvard and Yale. Over the year
Reusing Construction Waste with Joel de Mowbray of Yes Make
What if the materials a building needs are already sitting in a skip down the road?Joel de Mowbray, founding director of Yes Make, joins Grant Gibson to explain how a regenerative design and build practice rescues high-quality construction materials from landfill — and builds a viable business around them. Earlier this year, Yes Make joined forces with interdisciplinary design collective Resolve C
Bonus episode: Hyosung TNC's Simon Whitmarsh-Knight on creating elastane from sugar cane.
Welcome to another summer bonus episode of Material Matters with Grant Gibson, this time in association with Hyosung TNC.In this special episode, Grant talks to the South Korean company’s marketing and sustainability director, Simon Whitmarsh-Knight, about an intriguing new material the company is spending nearly $1bn to develop – a bio-based elastane (or spandex) that has the potential to revolut
Bonus episode: Algae, sustainability and systems design with Rebecca Lawson of Aesop and Jessie French of Other Matter
Can algae reshape a global beauty brand's material future? In this special summer bonus episode — recorded live at Aesop's Copenhagen store during 3daysofdesign — Grant Gibson is joined by Rebecca Lawson, Aesop's head of sustainability, and multi-award-winning artist and designer Jessie French, founder of Melbourne-based studio Other Matter.In this episode, we dive into the collabor
Designing for Survival with Harry Blakiston Houston of Insulate Ukraine
Can a $21 window help a nation survive a war? Harry Blakiston Houston, founder of Insulate Ukraine, joins Grant Gibson for this landmark 150th episode to discuss how a simple double-layer window — made from PET and manufactured entirely in Ukraine — is helping families stay warm, creating local employment, and offering a sense of normality in a country shattered by Russia's invasion. In this
Hella Jongerius on craft, industry and the power of imperfection
Can imperfection reshape modern industry? Hella Jongerius — one of the most influential designers of her generation, and one of the field's sharpest critical voices — joins Grant Gibson to discuss craft, colour, and her enduring fascination with the messy edges of mass production.In this episode, we dive into the politics of materials and the discipline of long-term collaboration. We discuss:
Sewing as emotional repair with Leah Jensen
Can a needle and thread mend more than fabric? Ceramic artist Leah Jensen joins Grant Gibson to discuss the radical pivot in her practice after a brain cancer diagnosis — and how stitching became a daily act of survival, documentation and repair.In this episode, we explore making as medicine and the quiet power of slow, analogue craft. We discuss:Renaissance Patterns: The unexpected art-historical
Recycling the Unrecyclable with Tom Szaky of TerraCycle
Can we actually recycle cigarette butts, dirty nappies, and coffee pods? Tom Szaky, founder of TerraCycle and the reuse platform Loop, joins Grant Gibson to reveal how 'Material Intelligence' can turn global rubbish into a viable business.In this episode, we dive into the economics of waste and the design of a circular future. We discuss:The ‘Milkman’ Model: How Loop is bringing back con
Revolutionising waste with Sophie Thomas OBE
Can a communication designer change the global conversation on rubbish? Sophie Thomas OBE—a rare blend of campaigner, chartered waste manager, and practicing designer—joins Grant Gibson to discuss her extraordinary, three-decade journey at the vanguard of sustainable design.In this episode, we explore how ‘material intelligence’ and circular design thinking can inform activism. We discuss:Graphic
Upcycling discarded denim with Anna Foster of ELV Denim
Can a discarded pair of jeans become a luxury item? Anna Foster, founder of the sustainable fashion brand ELV Denim, has saved thousands of garments from landfill by proving that they can. She joins Grant Gibson to discuss how ‘material intelligence’ is redefined in the world of high fashion.In this episode, we dive into the complex water footprint of denim and the design of a regenerative fashion
Ending single-use plastic with Rodrigo Garcia Gonzalez of Notpla
Can seaweed eradicate single-use plastic? Rodrigo Garcia Gonzalez, co-founder of the award-winning packaging company Notpla, joins Grant Gibson to discuss the rapid rise of one of the world’s most exciting alternative materials.In this episode, we dive into the history of seaweed as a resource and the technology of material replacement. We discuss:The Earthshot Prize: How a student project in a ki
Tackling waste colonialism with Shubhi Sachan of MLI
Can a multi-disciplinary designer turn agricultural and industrial waste into raw materials for creativity? Shubhi Sachan, founder of the Material Library of India, joins Grant Gibson to discuss unlocking the potential in India's complex waste landscape.In this episode, we dive into the global and local impact of waste. We discuss:The Material Library of India: Establishing a new center for r
Carole Collet on the magic of mycelium and regenerative design.
Carole Collet is professor in Design for Sustainable Futures at Central Saint Martins. She is also director of Maison/0, the CSM – LVMH creative platform for regenerative luxury and co-director of the Living Systems Lab, a research group at the same university. During 2000, she founded the Textile Futures course at CSM, which went on to become Material Futures and has spawned a string of brilliant
Cubitts founder Tom Broughton on acetate and the history of spectacles.
This episode of Material Matters is as much about an object as it is a material. Tom Broughton is the founder of Cubitts, a modern spectacles company based in London’s Kings Cross. The company started in 2013 from his kitchen table and has grown to 20 stores across the UK and US, serving 250,000 customers across 100 countries. It offers frames in a number of materials – such as stainless steel and
Brodie Neill on ocean plastic (and reclaimed wood).
Brodie Neill is a Tasmanian-born but London-based furniture designer, who has made a name for himself by creating pieces from waste and reclaimed materials. In 2016, for example, he represented Australia at the inaugural London Design Biennale with his exhibition entitled, Plastic Effects. In it, he showcased the Gyro Table, with a top made of fragments of recycled ocean plastic that had been salv
James Fox on his extraordinary journey through Britain's crafts.
James Fox wears a couple of hats. He is director of studies in History of Art at Emmanuel College, Cambridge and creative director of the Hugo Burge Foundation. As well as that he is a BAFTA-nominated broadcaster and an author with a brand new book out. Craftland: A Journey Through Britain's Lost Arts & Vanishing Trades is his journey through Britain to discover the craftspeople that lite
Bonnie Hvillum on biomaterials and 'redefining wood'.
Bonnie Hvillum is a Danish designer and founder of Natural Material Studio, which, as the names suggests, makes its own materials using natural resources and various waste streams. Working at the meeting point between material science, art and design, the studio creates products, installations, exhibitions and research projects, working with clients such as adidas, Calvin Klein, Noma, Dinesen, Cop
Anglepoise's Simon Terry on durability, repair and creating an icon.
Simon Terry is the brand and marketing director, as well as owner (or as he prefers to describe himself, custodian), of the lamp company, Anglepoise, a product that has genuine claims to iconic status. Initially designed by George Carwardine in the 1930s and manufactured by Herbert Terry & Sons, over the years, the product has been used by the likes of Queen Elizabeth II, David Lloyd George, P
Lulu Harrison on making glass from the River Thames.
Lulu Harrison is a researcher and maker in sustainable material development. She creates glass pieces that have often been inspired by ancient making techniques, working with local and waste resources. Over the years, she has collaborated with historians, material scientists, and artists to create ‘geo-specific’ glass. Lulu has recently won the Ralph Saltzman Prize for her project Thames Glass – w
Robin Givhan on her new book, Make it Ours, and how Virgil Abloh changed fashion.
Robin Givhan is the Washington Post’s senior critic-at-large, writing about politics, race and the arts. She won the Pulitzer Prize for criticism in 2006 and is the author of The Battle of Versailles: The Night American Fashion Stumbled into the Spotlight and Made History. Her latest book is entitled Make It Ours: Crashing the Gates of Culture with Virgil Abloh, which charts the life of the late d
Sabine Marcelis on recycled aluminium and resin.
Sabine Marcelis is a Rotterdam-based designer and artist who, in her own words, is ‘forever in search of magical moments within materials’. She’s probably best known for her work in glass, resin and stone, which often plays with light and water. However, most recently, she has been part of R100, a project with Hydro, which asks a group of internationally renowned designers to create pieces from 10
AHEC's David Venables on US hardwood forests and using what nature provides.
David Venables is the European director for the American Hardwood Export Council. Over the last 20 years, the organisation has created an array of extraordinary installations, sculptures and products – working with the likes of Alison Brooks, Waugh Thistleton, Heatherwick Studio, Jaime Hayon, Benedetta Tagliabue, and Stefan Diez to name just a few – that extoll the virtues of wood in general and U
Rosa Whiteley on shells and creating a new building material.
Rosa Whiteley is a designer, writer and researcher, who trained as an architect at Manchester School of Architecture and the Royal College of Art. Subsequently, she has worked within Cooking Sections, the Turner Prize nominated design and art collective, as a project manager and lead researcher and, since 2021, she has been the director of Material Research for CLIMAVORE CIC, which is a long-term,
Claudy Jongstra on working with wool and creating her own biodynamic farm.
Claudy Jongstra is a Dutch artist and designer who has become globally renowned for her, often monumental, textile installations and tapestries made from wool. After establishing her studio in Friesland in the Dutch countryside during 2001, she started an ecological venture, which involved maintaining a herd of indigenous sheep and creating a biodynamic farm near her studio to grow plants used for
Tim Minshall on manufacturing, tariffs, silicon, and green hushing.
Tim Minshall is an expert in manufacturing and innovation. He is the inaugural Dr John C Taylor professor of innovation at the University of Cambridge, the head of the Engineering Department’s Institute for Manufacturing and a fellow of Churchill College.Importantly too, he has published a new book. Your Life is Manufactured: How we make things, why it matters and how we can do it better does exac
Seetal Solanki on olive tree roots, cooking, and why materials matter.
Seetal Solanki describes herself as a materials translator and has been in the vanguard of material thinking since she launched her practice, Ma-tt-er, in 2015. Three years later she produced the hugely influential book, Why Materials Matter, and she has gone on to work with a variety of brands, including Nike, Selfridges and Potato Head in Bali, as well as teaching at institutions such as Central
Callum Robinson on wood and his new book Ingrained.
Callum Robinson makes all sorts of things out of wood, as well as being the creative director of Method Studio, the company he established with his wife, Marisa Giannasi, 15 years ago. In 2024, he published a fascinating, lyrical memoir. Ingrained: The making of a craftsman, tells the story of his lifelong fascination with his material of choice, his relationship with his woodworker father, and ru
Neil Brownsword on clay and safeguarding skill.
Neil Brownsword is one of the most intriguing – and uncompromising – ceramic artists currently practicing in the UK. His work is inspired by the de-industrialisation of his home city, Stoke-on-Trent, and, appropriately enough, his career in ceramics began when he worked as an apprentice in the Wedgwood factory as a 16 year old in the mid 1980s. Subsequently, he went on to study at the University o
Zandra Rhodes on pattern, colour, and textiles.
Zandra Rhodes is one of the most recognisable and influential figures in fashion, as well as the founder of the Fashion and Textile Museum in London. Describing herself as both ‘chaotic’ and ‘fastidious’, she possesses a unique sense of colour and pattern. Over the years, she has dressed some of the world’s most famous people from Freddie Mercury, Elizabeth Taylor, Debbie Harry and Diana Ross to r
Aaron Betsky on why architects should stop building (and reuse instead).
Aaron Betsky is a US-based writer, educator and critic, who has served as director of the Cincinnati Art Museum and the Netherlands Architecture Institute, as well as a curator of architecture and design at the San Francisco Museum of Modern Art. He has also written over 20 books with subjects ranging from Zaha Hadid, Frank Lloyd Wright, and the Dutch architecture practice MVRDV to the relationshi
Nicole Rycroft on viscose and her mission to save the world's endangered forests.
Nicole Rycroft is the founder and executive director of the award-winning environmental not-for-profit, Canopy. Since it launched in 1999, the Vancouver-based organisation has worked with more than 950 companies – including Marks & Spencer, Tesco and Puma – to ‘develop innovative solutions and make their supply chains more sustainable to help protect our world’s remaining ancient and endangere
Mark Hearld on collage.
Mark Hearld is an artist and designer who has a fascination with flora and fauna and has worked in a range of different media – including lithographic and linocut prints, painting, ceramics, textiles and tapestry. However, he is best known for his collage pieces. A graduate of Glasgow School of Art and the Royal College of Art, he has curated installations and exhibitions at York Art Gallery and C
Todd Bracher on light (and designing Net Positive products).
Todd Bracher is a US-based product designer who has worked with brands such as Humanscale, 3M, Herman Miller, Georg Jensen and Issey Miyake through his eponymous studio, winning a slew of awards along the way. More recently, he created another company, Betterlab, in which he collaborates with scientists and innovators to, in his words, ‘shape emerging research and foundational technologies into ga
Zena Holloway on grass roots.
Zena Holloway is a bio-designer and founder of Rootfull, which creates exquisite clothes, lights and sculptures from grass roots. She started her career as an underwater photographer, doing extraordinary high-end fashion shoots, as well as working with the likes of Kylie Minogue, Tom Daley, Katie Price and numerous other celebrities. At the same time, she was capturing the effects of pollution on
Alkesh Parmar on orange peel.
Alkesh Parmar is a designer and researcher. Over the years, he has hollowed out champagne corks and turned them into chandeliers, as well as transforming traditional Indian terracotta cups into light fittings. But he is best known for his work with citrus peel in general – and orange peel in particular.Using a material generally thought of as waste, he has created a variety of extraordinary produc
Sanne Visser on human hair.
Sanne Visser is a Dutch-born, London-based designer. She describes herself as a ‘material explorer, maker and researcher’, who is best known for a string of installations and products using human hair. Since graduating from Central Saint Martins a little under a decade ago, she has exhibited all over the world and been nominated for a number of awards. Happily too, she will be one of the stars of
Bharti Kher on material alchemy and her fascination with bindis.
Artist Bharti Kher was brought up in England before moving to India almost on a whim in the early ’90s. Since then, she has established herself as a major player on the international art scene. Her sculptures talk about women’s place in society and the female body. She has a fascination with mythology and mixing the real with the magical, as well as a profound interest in materials and found objec
Oliver Heath on biophilic design.
Oliver Heath is a designer, architect, author and one of the world’s leading advocates for biophilic design. Along with his team and the sustainable platform Planted, he currently has an exhibition at the Roca Gallery in South London, which focuses firmly on bio design – illustrating what it is, why it’s important, and how it can be used in the spaces we inhabit. Oliver has been a fixture on our T
Ernest Scheyder on lithium, mining, and the politics behind going green.
Ernest Scheyder is an author and senior correspondent for Reuters. His new book, The War Below: Lithium, Copper, and the Global Battle to Power Our Lives, looks at the impact of the green transition in the US – and, more particularly, the tensions over the increasing need to mine for metals to decarbonise the grid (and power a plethora of devices) against the nation’s desire to conserve the enviro
Adi Toch on why she buries copper.
Adi Toch is one of the world’s most fascinating metal artists, who over the years has buried her pieces for months on end before digging them up, and even made them react to sound. She has also taken part in collaborations with furniture makers and glass artists. Adi has work in the permanent collections of the V&A, The Fitzwilliam Museum in Cambridge, Ulster Museum in Northern Ireland, and th
Human Nature's Jonathan Smales on mining the Anthropocene, and building in timber and Hempcrete at The Phoenix.
Jonathan Smales is a housing developer like few others. He is the co-founder and executive chairman of Human Nature, whose new project, The Phoenix, on the outskirts of Lewes, East Sussex in the UK, has just won planning permission. What makes the development different? The Phoenix will contain 685 homes, designed by a roster of fascinating architects, who will be working in materials such as cros
Bert Frank's Adam Yeats on manufacturing in post-Brexit Britain.
Adam Yeats is co-founder and managing director of Bert Frank, one of the UK’s leading lighting companies. Yeats started the brand with designer, Robbie Llewellyn, in 2013. Since then it has gone from strength to strength, opening a showroom in London’s Clerkenwell in 2019, exhibiting at home and abroad, and winning the Elle Decoration British Design Award for Lighting in 2016. The company was also
Ptolemy Mann on colour, weaving, and painting.
Ptolemy Mann is a British artist who came to widespread attention with her woven textile pieces, often stretched across a frame and notable for her extraordinary use of colour. More recently, her practice shifted and she has turned to painting on paper with fascinating – and inevitably colourful – results. Her latest pieces combine the two, as she paints on her hand-woven artworks. Ptolemy is hard
Fairphone's Bas van Abel on repair, longevity, and conflict minerals.
Bas van Abel founded Fairphone in 2013. The company attempts to transform the way our smartphones are manufactured, by reducing e-waste, sourcing conflict-free minerals, and improving working conditions in its supply chain. It creates a product consumers are encouraged to keep longer and which, importantly, they can also repair themselves. Fairphone was an immediate hit, attracting 25,000 orders w
Building with memory with John Tuomey of O'Donnell + Tuomey
Can memory itself be a raw material for design? John Tuomey, co-founder of the award-winning practice O'Donnell + Tuomey joins Grant Gibson to discuss how his formative years in rural Ireland continue to shape his landmark architectural projects.In this episode, we dive into the relationship between landscape, narrative, and building. We discuss:First Quarter: The process of writing his lyric
Sara Grady and Alice Robinson on making ethical leather.
Sara Grady and Alice Robinson co-founded British Pasture Leather in 2020. The duo aim in their own words ‘to link leather with exemplary farming and, in doing so, to redefine leather as an agricultural product’. All of which means creating a new network of systems within the industry. Essentially, the pair are attempting to make the material we buy traceable in the same way food is. In 2022, they
Florian Gadsby on clay and becoming a potter.
Florian Gadsby is a bit of a phenomenon. The ceramicist currently has a new show at the Yorkshire Sculpture Park, and has also published a memoir, By My Hands, that charts his formative years with clay, including apprenticeships in the UK and, most intriguingly, Japan. Essentially, it unpicks his route to becoming a fully, fledged professional potter, while at the same time, providing tips about h
Christien Meindertsma on wool (and linoleum).
Christien Meindertsma is a Dutch designer who has a fascination with materials. She currently has an installation at the V&A, entitled Re-forming Waste, which shows new work based around her interest in linoleum, as well as technological advances with the material she has described as her first love, wool. Christien came to wider attention initially when she graduated from the Design Academy E
Simone Brewster on cork and creating 'intimate architecture'.
This special festive episode is slightly different because, as we come to the end of 2023, we thought it would be interesting to talk to someone who has had a breakthrough year. And we couldn’t think of anyone that description fits better than UK-based designer, Simone Brewster. In June, Simone held her first solo exhibition at the NOW Gallery on London’s Greenwich Peninsular, entitled The Shape o
Jeremy Maxwell Wintrebert on hot glass.
Jeremy Maxwell Wintrebert is a Paris-based designer, maker, and artist, obsessed with blown glass. In an eclectic career, that has seen him travelling through the USA and Europe, before settling in France in 2007, he has shown work at the V&A, Vessel Gallery in London, and Palais de Tokyo among others. His pieces are also held in a number public collections including: Bibliotheque de France de
Neil Thomas on building with bamboo.
Neil Thomas is the founder and director of Atelier One, one of the most creative engineering practices in the UK. The firm has worked on building projects such as Singapore Arts Centre, Federation Square in Australia, and Baltic in Gateshead, as well as with a hugely impressive roster of artists, including Anish Kapoor, Marc Quinn and Rachel Whiteread. It has also created stages for stadium rock s
Caroline Till on material futures, regenerative design, and lots more.
Caroline Till is a consultant, author, curator, and academic. She founded Franklin Till, along with Kate Franklin, in 2010 and, since then, the future research agency has worked with the likes of international textile exhibition Heimtextil, paper giant GF Smith, Caesarstone, Tarkett, and IKEA’s former blue sky thinking agency, Space 10. The pair has published magazines such as Viewpoint and Viewpo
Tom Lloyd and Luke Pearson on how materials have changed their practice.
Tom Lloyd and Luke Pearson co-founded the hugely influential design studio, Pearson Lloyd, in 1997. Since then, it has gone on to work in areas such as the workplace, transport and health care, with organisations like Virgin, Lufthansa, the Department for Health, and furniture giant Senator. The practice is the Designer of the Year at the Material Matters 2023 fair and will be using the space at B
Goldfinger’s Marie Carlisle on an extraordinary social enterprise that's centred around wood.
Marie Carlisle is CEO and co-founder of social enterprise (and Material Matters exhibitor), Goldfinger. The organisation opened its doors at the foot of West London’s Trellick Tower in 2013 and makes high end furniture from wood – that has often been reclaimed or ‘treecycled’ – in its workshop. Not only that but it has a showroom and cafe, as well as an academy that teaches marginalised young peop
Michael Marriott on resourceful design and his fascination with materials.
My guest for the 100th episode of Material Matters is a British designer who sits somewhere between industry and craft. Michael Marriott has a fascination with materials – so much so that his web shop is called Wood Metal Plastic – and a love of resourceful design. Over the years he’s created furniture for the likes of Established & Sons, SCP, and Very Good and Proper, as well as designing and
Alice Kettle on embroidery.
Alice Kettle is one of the country’s leading textile artists. She uses embroidery to tell stories and throw the spotlight on contemporary issues – most noticeably the refugee crisis in her series Thread Bearing Witness. Currently, she has a solo installation at two sites in The City of London as part of her prize for winning The Brookfield Properties Craft Award. While an exhibition she co-curated
Beatie Wolfe on making music material again and the power of art.
Beatie Wolfe is a musician and artist, who has in her time been described as a ‘musical weirdo and visionary’ and one of the ‘22 people changing the world’. In a relatively short career she has: created a 3D interactive album app and a musical jacket; worked in the world’s quietest room to develop an ‘anti-stream’; fired her music into space; made a documentary with the Barbican; designed an envir
Ndidi Ekubia on silver and her extraordinary, liquid-like vessels.
Ndidi Ekubia creates extraordinary, almost liquid-looking, vessels from silver. She graduated from the University of Wolverhampton in 1995, before going on to the Royal College of Art. Since then, her work has been shown internationally at exhibitions such as TEFAF in Maastricht, Masterpiece in London, and Pavilion of Art & Design in New York.Her pieces are held in Winchester Cathedral, Aberde
Ercol chairman, Henry Tadros, on elm, beech, ash and keeping his company relevant.
Henry Tadros is chairman of one of the country’s most renowned furniture companies, Ercol. The firm was founded by Italian immigrant, Lucian Ercolani, in 1920 but it really found its feet after the Second World War with the Windsor Range – an industrial version of a traditional craft chair – that is best known for its steam bending process and using a combination of elm and beech wood. Over the ye
Donna Wilson on knitting, becoming a brand, and creating her extraordinary creatures.
Donna Wilson is a globally-feted designer. She initially made a name for herself in 2003 with a series of knitted toy creatures made of lambswools, which managed to be odd and endearing all at the same time. Since then, she has worked with the likes of SCP, John Lewis, V&A Dundee, as well as having a solo show at the Yorkshire Sculpture Park. Meanwhile, her range of products has expanded, enco
Julian Stair on pots, death, and using cremated ashes in his work.
Julian Stair is one of the UK’s leading ceramic artists. He has exhibited internationally since the 1980s and made his name making beautiful, pared-back everyday forms. Julian’s work is in 30 public collections, including the British Museum and the V&A and he was awarded an OBE in 2022 In March, he launched a fascinating, and deeply moving, new exhibition at the magnificent Sainsbury Centre ne
Paul Cocksedge on coal, metal, light, concrete and much more besides.
Paul Cocksedge is a London-based designer who has built a reputation over the past twenty years for creating projects that push the limits of technology and materials. During that time, for example, he has melted polystyrene cups in an oven to make a lamp shade, treated steel as if it was a folded piece of paper, worked with concrete from the floor of his own studio, and fused metal under the snow
Ineke Hans on designing for the circular economy.
Ineke Hans is a world-renowned product and furniture designer. She originally studied art at Hogeschool voor de Kunsten Arnhem before switching to design. In 1993, she moved to London’s Royal College of Art and, subsequently, worked for Habitat as a furniture designer. By the end of the decade she was focusing on her own work and, since then, clients have included Ahrend, Arco, Iittala, SCP and Ma
Darren Appiagyei on turning Banksia nuts and waste wood.
Darren Appiagyei is a wood turner and founder of inthegrain. The Camberwell College of Arts graduate made his name with vessels fashioned from the Banksia nut. Subsequently, he has gone on to create pieces from waste wood he finds on a local farm not far from his studio in London’s Deptford. He believes his work is ‘about embracing the intrinsic beauty of the wood; be it a crack, texture, knots o
Summer Islam on building with biomaterials.
Summer Islam is a founding director of Material Cultures, a not-for-profit organisation that in its own words ‘challenges the systems, technologies, processes, supply chains, regulations and materials that make up the construction industry with the aim of transforming the way we build’.Currently, Summer has an installation in London’s Building Centre, along with her partners, Paloma Gormley and Ge
Keith Brymer Jones on his life in clay and TV stardom.
Keith Brymer Jones is a potter, whose hand-made ceramics – which include the best selling Word Range – have been stocked in major stores, including Habitat, Laura Ashley and Heals. Over the years, he has been a ballet dancer, a front man in a nearly famous post-punk band, and a YouTube sensation. However, he is best known as a judge on the hugely popular The Great Pottery Throwdown, which is curre
Peter Apps on Aluminium Composite Material and the Grenfell Tower fire.
Peter Apps is a journalist and author, as well as the deputy editor of Inside Housing. His extraordinary, devastating new book, Show Me The Bodies: How We Let Grenfell Happen, looks at the evidence of the public enquiry into the circumstances leading up to, and surrounding, the fire at London’s Grenfell Tower on the night of 14 June 2017. Unpicking evidence heard over the course of 300 public hear
Smile Plastics’ Rosalie McMillan and Adam Fairweather on recycling plastic and reviving a company.
Rosalie McMillan and Adam Fairweather are co-founders of the materials, design and manufacturing house, Smile Plastics. They have a factory in South Wales which takes plastics and other materials traditionally classed as waste and transforms them into extraordinarily eye-catching, large scale, solid surface panels. Over the years, the company has worked with the likes of Stella McCartney, Christia
Aric Chen on design and energy, giving microbes agency, and lots more.
Aric Chen is general and artistic director of the Het Nieuwe Instituut, the Dutch national museum for architecture, design and digital culture in Rotterdam. During one of those careers that makes you wonder what on earth you’ve been doing with your time, he has also been creative director of Beijing Design Week, lead curator for design and architecture at M+ in Hong Kong, curatorial director of th
Professor Rebecca Earley on polyester, people and pragmatism.
Professor Rebecca Earley is a design researcher and award-winning team leader at University of the Arts London and is based at Chelsea College of Arts where she is Professor of Circular Design Futures. Initially, she trained as a printed textile designer before creating her own fashion label, B.Earley, in 1995. Her prints and garments have been commissioned by the likes of Bjork and Damien Hirst.
LAYER's Benjamin Hubert on creating and sustaining a career in design.
As a special preview to Material Matters 2022, launching from 22-25 September at Bargehouse, Oxo Tower Wharf, we meet one of the stars of the fair. Benjamin Hubert is an industrial designer and founder of LAYER, the experience design agency that has worked with the likes of Airbus, Bang & Olufsen, Braun and Moroso, to name just a handful. The practice is celebrating the launch of its new monog
Hannah and Justin Floyd on wool (and the new material they've created from it).
Hannah and Justin Floyd are the creators of an intriguing material, called SolidWool. The composite is made up of wool, which is used as the reinforcement, and bio-resin that acts as a binder. The wool itself comes from the Herdwick sheep found in the Lake District that was once a staple of the carpet industry but which has recently fallen out of vogue. According to the Floyds, some farmers have t
Simon Hasan on Cuir Bouilli (or boiled leather).
Simon Hasan made a name for himself when he graduated from the Design Products course of the Royal College of Art in 2008 with a collection of pieces made from Cuir Bouilli or boiled leather, an ancient material that was used to make medieval armour. The collection made quite a splash and, subsequently, he worked on a number of projects such as Craft Punk, during the Milan Design Week in 2009, the
Michael Young on a life in design.
Michael Young is a world renowned product designer who initially made his name in London during the mid-90s, and quickly found himself working for significant brands, including Magis and Rosenthal. After a sojourn in Iceland, he traversed the globe and set up his practice in South East Asia. Over the years, his portfolio has become wildly eclectic. Young has designed furniture for Coalesse, speake
Majeda Clarke on weaving.
Majeda Clarke is a weaver, whose work is concerned with identity and a sense of place. She combines traditional techniques from some very different parts of the world – such as Bangladesh and North Wales – with an aesthetic that has been influenced by Josef and Anni Albers. She came to textiles relatively late in life (having previously been in education) but has gone on to win a number of awards,
Carl Clerkin on mending and narrative.
In my opinion, Carl Clerkin is one of the most original – and certainly one of the wittiest – designers currently practicing. He graduated from the now-defunct furniture course of the Royal College of Art in the late ’90s, a time when many of his contemporaries were dreaming of fame and fortune with a glamorous Italian manufacturer. However, he steered a very different – more local – course. His w
Juliette Bigley on metal.
Juliette Bigley is an artist and sculptor who creates extraordinary, abstract, but somehow familiar, pieces out of metal. I first saw her work at New Designers, the graduate design show held annually in London, after she left The Cass in 2013 and, since then, her career has gone from strength to strength. She has a piece in the permanent collection of the V&A; won a slew of awards; written a
Nigel Coates on a life in architecture.
Nigel Coates is a hugely influential architect, designer, artist and educator. He first came to widespread attention as a teacher at the Architectural Association in the early 80s when he co-founded NATO, a radical architecture collective that published a series of magazines with a unique perspective on the city.Later, he co-founded the practice, Branson Coates, and created buildings and interiors
Richard McVetis on embroidery.
Richard McVetis is an embroiderer, who is fascinated with time. Each of his, often monochromatic cuboid, pieces is meticulously made to explore the subtle differences that emerge through the ritualistic and repetitive nature of sewing.More recently, he has taken inspiration from his family’s mining heritage to investigate a story of race and class through stitch. The artist says that he uses makin
