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Master Fiction Writing

Master Fiction Writing

Stuart Wakefield 95 Episodes Aug 19, 2026

With over 25 years of experience in theatre, media, and coaching, Stuart Wakefield shares his expertise on storytelling in this podcast. Each episode focuses on crafting memorable characters and building gripping plots, backed by examples from literary professionals. Recognized as a top book coach, his mission is to help aspiring writers master the craft of fiction writing.

Episodes

Why Romantasy Works: What Every Fiction Writer Can Learn From It
Why Romantasy Works: What Every Fiction Writer Can Learn From It Aug 19, 2026 00:51:28 Romantasy is everywhere right now. Dragons, fae courts, morally grey love interests, spectacular special editions - and sales figures that have made the publishing industry sit up very straight indeed.But what’s actually driving its extraordinary appeal?In this episode of Master Fiction Writing, I take a deep dive into the rise of romantasy: what the term means, where the genre came from, why auth
Stop Explaining What Your Character Feels
Stop Explaining What Your Character Feels Aug 13, 2026 00:07:00 Sometimes the best edit you can make to an emotional scene is to delete the sentence that explains why it was emotional.In this episode of Master Fiction Writing, I’m looking at a habit I see surprisingly often in manuscripts: a writer creates a strong emotional beat through behaviour, dialogue, silence or physical detail... and then immediately explains what the character is feeling.The trouble i
The Queer Story Engine: How Queerness Changes What a Story Wants
The Queer Story Engine: How Queerness Changes What a Story Wants Aug 5, 2026 00:28:40 What does this story want because this character is queer?That’s the question at the heart of this special episode recorded for ProWritingAid’s Write with Pride event.Too often, queer characters are present in a story without their queerness meaningfully shaping what they want, what they fear, what they risk or who they become. Representation matters, but great fiction goes one step further by all
How to Write Speculative Fiction That Stays With Readers
How to Write Speculative Fiction That Stays With Readers Jul 29, 2026 00:41:29 What if the impossible is the best way to tell the truth?Speculative fiction isn’t really about dragons, spaceships, magic or dystopias.At its heart, it’s about asking one deceptively simple question:What if…?In this episode of Master Fiction Writing, Stuart Wakefield explores why writers have always imagined impossible worlds—and why the best speculative fiction reveals emotional truths that real
How to Write Brilliant Argument Scenes
How to Write Brilliant Argument Scenes Jul 22, 2026 00:28:33 In the last episode, we explored why so many argument scenes feel artificial and discovered that arguments aren’t really conversations - they’re attempts to change another human being.Now it’s time to get practical.In this second part of our deep dive into writing conflict, we’ll explore the techniques professional writers use to create arguments that feel unpredictable, emotionally truthful and i
Why Your Argument Scenes Don’t Work (And What Great Writers Understand About Conflict)
Why Your Argument Scenes Don’t Work (And What Great Writers Understand About Conflict) Jul 15, 2026 00:31:53 Why do so many argument scenes feel strangely lifeless, even when characters are shouting, interrupting each other, and making excellent points?Because conflict isn’t about disagreement.It’s about change.In this episode of Master Fiction Writing, I'll explore why professional argument scenes feel so compelling, why amateur ones often become disguised exposition, and what readers are really loo
The Quiet Scene: Why Low-Action Scenes Still Need to Move
The Quiet Scene: Why Low-Action Scenes Still Need to Move Jun 24, 2026 00:19:59 Quiet scenes are often where manuscripts go flat, not because nothing explodes, but because nothing changes.In this episode of Master Fiction Writing, Stuart Wakefield explores why low-action scenes still need movement, pressure, and consequence. Whether your characters are drinking tea, walking home, recovering from bad news, lying awake, remembering the past, or having a careful conversation, th
The Phone Call Scene: Turning Distance into Drama
The Phone Call Scene: Turning Distance into Drama Jun 17, 2026 00:24:42 A phone call scene can look deceptively small on the page. Two people talk, some information changes hands, then someone hangs up, but if that’s all the scene is doing, it may be falling flat.In this episode of Master Fiction Writing, Stuart Wakefield takes a deep dive into one of fiction’s most overlooked craft moments: the phone call scene. Why do so many phone calls in novels, short stories, an
Before They Say a Word: The Power of the Doorway Scene
Before They Say a Word: The Power of the Doorway Scene Jun 10, 2026 00:13:00 A character walking into a room might seem like simple scene logistics, but an entrance can reveal far more than movement. It can show power, fear, desire, belonging, exclusion, secrecy, status, and change before anyone says a word.In this episode of Master Fiction Writing, Stuart Wakefield explores the doorway scene: those small but potent moments when a character crosses from one emotional terri
Your Story Has to Change Its Mind: Why the Middle of a Novel Is Where the Real Book Reveals Itself
Your Story Has to Change Its Mind: Why the Middle of a Novel Is Where the Real Book Reveals Itself Jun 3, 2026 00:31:18 The middle of a novel is often where writers begin to worry. The opening had energy, and the ending may be in sight, but somewhere in between, the story starts to feel slow, repetitive or strangely... directionless.The usual advice is to raise the stakes, add conflict or introduce a twist. Those tools can help, but what if the real problem isn't that your protagonist needs more obstacles? What
Thriller: The Art of Pressure, Danger, and Page-Turning Dread
Thriller: The Art of Pressure, Danger, and Page-Turning Dread May 27, 2026 00:36:47 What actually makes a thriller a thriller? It isn’t just murder, spies, guns, plot twists, or car chases.In this episode of Master Fiction Writing, we take a deep dive into the thriller genre as a pressure system: sustained threat, escalating stakes, urgent choices, controlled information, and the nervous anticipation that keeps readers turning pages.We’ll explore how thrillers differ from mystery
Does Your Protagonist Have to Change? Character Arc and Story Movement
Does Your Protagonist Have to Change? Character Arc and Story Movement May 20, 2026 00:24:16 Does every protagonist really need to change by the end of a story? Not always.In this episode, we look beyond the familiar “your character must change” advice and explore positive arcs, negative arcs, steadfast characters, ensemble stories, and intentional stasis.You’ll learn how to ask the better craft question: not “does my protagonist change?” but “what moves?”

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