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Master Fiction Writing

Master Fiction Writing

Stuart Wakefield 95 Episodes Jun 24, 2026

With over 25 years of experience in theatre, media, and coaching, Stuart Wakefield shares his expertise on storytelling in this podcast. Each episode focuses on crafting memorable characters and building gripping plots, backed by examples from literary professionals. Recognized as a top book coach, his mission is to help aspiring writers master the craft of fiction writing.

Episodes

The Quiet Scene: Why Low-Action Scenes Still Need to Move Jun 24, 2026 00:19:59 Quiet scenes are often where manuscripts go flat, not because nothing explodes, but because nothing changes.In this episode of Master Fiction Writing, Stuart Wakefield explores why low-action scenes still need movement, pressure, and consequence. Whether your characters are drinking tea, walking home, recovering from bad news, lying awake, remembering the past, or having a careful conversation, th
The Phone Call Scene: Turning Distance into Drama Jun 17, 2026 00:24:42 A phone call scene can look deceptively small on the page. Two people talk, some information changes hands, then someone hangs up, but if that’s all the scene is doing, it may be falling flat.In this episode of Master Fiction Writing, Stuart Wakefield takes a deep dive into one of fiction’s most overlooked craft moments: the phone call scene. Why do so many phone calls in novels, short stories, an
Before They Say a Word: The Power of the Doorway Scene Jun 10, 2026 00:13:00 A character walking into a room might seem like simple scene logistics, but an entrance can reveal far more than movement. It can show power, fear, desire, belonging, exclusion, secrecy, status, and change before anyone says a word.In this episode of Master Fiction Writing, Stuart Wakefield explores the doorway scene: those small but potent moments when a character crosses from one emotional terri
Your Story Has to Change Its Mind: Why the Middle of a Novel Is Where the Real Book Reveals Itself Jun 3, 2026 00:31:18 The middle of a novel is often where writers begin to worry. The opening had energy, and the ending may be in sight, but somewhere in between, the story starts to feel slow, repetitive or strangely... directionless.The usual advice is to raise the stakes, add conflict or introduce a twist. Those tools can help, but what if the real problem isn't that your protagonist needs more obstacles? What
Thriller: The Art of Pressure, Danger, and Page-Turning Dread May 27, 2026 00:36:47 What actually makes a thriller a thriller? It isn’t just murder, spies, guns, plot twists, or car chases.In this episode of Master Fiction Writing, we take a deep dive into the thriller genre as a pressure system: sustained threat, escalating stakes, urgent choices, controlled information, and the nervous anticipation that keeps readers turning pages.We’ll explore how thrillers differ from mystery
Does Your Protagonist Have to Change? Character Arc and Story Movement May 20, 2026 00:24:16 Does every protagonist really need to change by the end of a story? Not always.In this episode, we look beyond the familiar “your character must change” advice and explore positive arcs, negative arcs, steadfast characters, ensemble stories, and intentional stasis.You’ll learn how to ask the better craft question: not “does my protagonist change?” but “what moves?”
How to Write Emotion Without Explaining Everything May 13, 2026 00:34:16 Do your characters keep feeling sad, furious, lonely, ashamed, or devastated on the page... but the reader still isn’t feeling much?In this episode of Master Fiction Writing, we’re looking at the difference between explained emotion and experienced emotion. You’ll learn why naming a feeling isn’t always the same as creating it, and how to give the reader stronger emotional evidence through behavio
Third Person Isn’t One Thing: How Narrative Distance Changes Everything May 6, 2026 00:39:32 In this episode of Master Fiction Writing, we untangle one of the most confusing pieces of fiction craft: third-person point of view.Because “write it in third person” sounds simple enough until you realise third person can mean several very different things.We’ll look at five major forms of third-person narration:Third-person objective, where the reader only sees what can be observed from the out
Writing Characters When You’re Afraid of Getting Them Wrong Apr 29, 2026 00:42:04 In this episode of Master Fiction Writing, we explore one of the most quietly intimidating parts of writing fiction: creating characters when you’re afraid of getting them wrong.Inspired by a listener question, this episode looks at the difference between research as preparation and research as protection. Research, plotting, and worldbuilding are essential tools, especially when your story is ins
Filter Words in Fiction: What to Cut, What to Keep, and Why Apr 22, 2026 00:15:19 Should you cut words like saw, felt, heard, realised, and remembered from your fiction? Often, yes. Always? Not even slightly. In this episode of Master Fiction Writing, Stuart breaks down why so-called filter words and mental-processing verbs get flagged so often, how they can weaken immediacy and increase psychic distance, and why the advice to remove them can become unhelpfully rigid when treat
Cozy & Feel-Good Fiction: Crafting Low-Stakes Stories That Comfort Readers Apr 15, 2026 00:15:12 Need a gentler kind of story without sacrificing plot? In this episode, I’m diving into the craft of cozy and feel-good fiction and unpacking how to write low-stakes stories that still have tension, momentum, and emotional payoff. We’ll look at why readers are drawn to comfort fiction, especially when real life feels relentless, and why “low stakes” never means “nothing matters.”I cover the key in
How to Write Wicked Women Who Feel Real Apr 8, 2026 00:18:33 What makes a female character feel dangerously compelling rather than flat, clichéd, or simply “unlikeable”? In this episode, Stuart explores how to write wicked women with complexity, power, and emotional truth. From villains and antiheroes to politically sharp schemers and socially inconvenient women, this is a deep dive into the craft of creating female characters who refuse to behave nicely on

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