Thoroughly Good Classical Music Podcast
Jon Jacob talks to artists, writers, and audience members about classical music. The podcast features interviews that explore how classical music is made, performed, and appreciated. It offers diverse perspectives from both professionals and listeners. Suitable for anyone interested in classical music culture.
Episodes
237: Three Choirs 2026 in Gloucester with composer Grace Evangeline-Mason
A scrapbook in sound: voices, reflections and field recordings from Three Choirs Festival 2026 in Gloucester — a postcard from two life-enhancing days.
236: Guy Johnston on Britten’s Cello Symphony
Days before his BBC Proms appearance marking 50 years since the death of Benjamin Britten, cellist Guy Johnston talks candidly about his career, his influences, and his preparation for performance.
235: Pianist Beatrice Nicholas
Beatrice Nicholas is a British concert pianist and composer. She performs the traditional classical canon, and she composes and arranges, fusing classical and jazz together. She's also a member of the Chineke! Chamber Ensemble, drawn from principal players of the Chineke! Orchestra.On the seventeenth of August, she makes her debut Upstairs at Ronnie Scott's — a set that runs from a straigh
234: Laura Bowler and the Cheltenham Music Festival's Composer Academy
Composer Laura Bowler on leading the Cheltenham Music Festival's Composer Academy, recorded on-site during the week of workshops in Gloucestershire. She talks about what conservatoire didn't teach her — pitching, funding applications, resilience — plus a look back at Houses Slide, her 2021 piece for London Sinfonietta and seventeen cyclists.
233: Belly of the Beast at Aldeburgh, Spitalfields and Edinburgh
Élisabeth Jacquet de la Guerre isn’t a name many will recognise — despite an opera that reached the Paris stage in 1694, two books of biblical cantatas published three years apart, in 1708 and 1711, and a career that ran for decades either side of those dates. The point this episode seeks to highlight is that legacy isn’t always guaranteed. You’ll need more than talent writing and managing busines
228 Repeat: Aldeburgh & Snape, 50 Years After Britten's Death
This episode is being republished during this year's Aldeburgh Festiva. This episode was first published 1 June.Fifty years after Britten's death, Aldeburgh and Snape still carry his fingerprints — and still provoke the same question: what is this place actually for? In this special episode, contributors who've performed there, programmed it, and thought hard about its future speak in
232: Adrian Brendel on Tree of Strings
Cellist Adrian Brendel on Tree of Strings, his new Dorset festival — the Harrison Birtwistle story behind its name, genre-mixing, and watching his father Alfred's final tour from the audience, occasionally incognito.
231: Bergen International Festival's Lars Petter Hagen
Bergen International Festival Artistic Director and Chief Executive Lars Petter Hagen talks programming, audiences, leadership and listening in this special Thoroughly Good Classical Music Podcast episode - something of a pilgrimage for Jon Jacob.
230: Franco Fagioli
Time with the most playful of interviewees, Franco Fagioli, recorded in Versailles in March 2026. Fagioli appears with Orchestra de l'Opera de Versailles at St Martin in the Fields on 13th June 2026.
229: Christophe Rousset on Lully, Mozart, and playing with rules
Christophe Rousset is a harpsichordist, conductor, and founder of Les Talens Lyriques. In this conversation, recorded in Paris, he talks about completing his twenty-year project to record all thirteen of Lully's operas — a composer long dismissed as boring, and why that dismissal gets the history wrong.We also discuss the young Mozart as musical sponge, absorbing Jommelli and Gassmann before findi
228: Aldeburgh & Snape 50 years after Britten's Death
Fifty years after Britten's death, Aldeburgh and Snape still carry his fingerprints — and still provoke the same question: what is this place actually for? In this special episode, contributors who've performed there, programmed it, and thought hard about its future speak in their own voices about why they came to East Suffolk, and why they couldn't leave.
227: Claire Booth
Sheffield Chamber Music Festival 2026 curator Claire Booth was asked a blunt question when she was invited her to put together this year's programme: why is selling a song recital so difficult? This year's Sheffield is the answer — or rather, her answer, or the argument. Or maybe its her case for it. Across a week of concerts, she pulls in Ravel's Scheherazade into the orbit of folk ta
226: Huw Watkins
Composer and pianist Huw Watkins explores his work, his musical language, his collaborations with musicians including Tamsin Waley-Cohen with whom he has released a new album on Signum, Reflection.
224: Lizzie Ball
A conversation with violinist and singer Lizzie Ball that begins with “big announcement week” energy and opens into a thoughtful exploration of intimacy, collaboration, and how classical music can be presented with integrity, warmth, and curiosity — from Ronnie Scott’s new series to life on and off the stage..
223: Mezzo Soprano Katie Bray
What’s the point of pursuing something you can never reach? Hope, apparently.Mezzo-soprano Katie Bray makes a compelling case. Her new album In Search of Youkali explores Kurt Weill’s musical response to longing, exile, and the fragile idea of belonging.
222: Penelope Appleyard
Discover Penelope Appleyard's Live from London’s festive Jane Austen programme with Zeb Soanes and pianist Jonathan Delbridge: song, domestic music-making, and Regency wit brought to life in an intimate Christmas performance.
221: Revere Arts' Elise Brown and Class Ceiling
How do we make the classical music industry inclusive for people from lower socio-economic backgrounds — when even the “comfortable” ones struggle to get a foothold?How does an industry that desperately needs a diverse workforce to survive remove the barriers it has quietly maintained for decades?
220: Composer and Sound Artist Ruby Colley
Composer and sound artist Ruby Colley releases her new album Hello Halo on 14 November 2025 — a work shaped by field recordings, family archives, and her lifelong conversation with her nonverbal brother Paul.It premiered at King’s Place in February, evolved through performances at Aldeburgh’s Britten Weekend, and arrives now as both an album and a film — an invitation to listen differentlyI met co
219: Writer Carole Hayman
Carole Hayman is a writer, director and producer best known for creating the long-running Radio 4 comedy Ladies of Letters, and for her work across theatre, film and television.This conversation explores her fascination with understanding the motivations and actions of women who kill. When she began interviewing psychiatrists and families, a nurse warned her: “It’s a minefield — and no one escapes
218: Vache Baroque's Betty Makharinsky
Vache Baroque didn’t start with a five-year plan. It started with a can-do attitude. In 2020, soprano-producer Betty Makharinsky and conductor Jonathan Darbourne looked at a locked-down industry and staged Purcell's Dido and Aeneas outdoors—in eleven weeks. Since then they’ve built a distinctive live experience: bold repertoire choices, playful staging, circus performers, and sound design subt
217: Pianist Clare Hammond and Michael Betteridge
Pianist Clare Hammond is no stranger to the Thoroughly Good Podcast. She appeared here a few years ago to talk about performing Schubert in prisons.This time she returns with composer Michael Betteridge to discuss another prison project — one in which they co-created new music with prisoners, pieces Clare later performed.What follows is a conversation about impact — about leadership, trust, and hu
216: Aida Lahlou
When the leaves begin to turn and shifting clouds reveal brief bursts of autumn light, music like that on pianist Aïda Lahlou’s new album Mirrors and Echoes seems to meet the moment — even if you didn’t know there was one waiting to be met.The Casablanca-born pianist, winner of the 2024 Royal Overseas League Award, has assembled a beguiling selection of piano works by Beethoven, Brahms, and Ravel,
215: RLPO CEO Vanessa Reed
Thirty minutes with one of the loveliest leaders in the classical music industry.
214: Violinist Tamsin Waley-Cohen
Violinist Tamsin Waley-Cohen talks candidly about the additive experience of motherhood in this podcast episode recorded on Barbican terrace in mid-September 2025.
213: Conductor Alice Farnham
In this episode, conductor Alice Farnham is working with English Touring Opera in September and October in performances of The Elixir of Love and Britten's Rape of Lucretia. The productions pop up in a variety of different locations across England. Visit the ETO website for more details. When she and I met for this podcast interview, I provided a provocation. I'd seen something short and s
212: Composer Julian Anderson
In this episode, composer Julian Anderson discusses his new work Life Cycle, to be premiered by Birmingham Contemporary Music Group in September 2025. Conducted by Stephan Meier, and featuring soprano Anna Dennis, the concert also includes Charlotte Bray’s Reflections in Time and the premiere of Serpentine by Birmingham composer Marcus Rock.At the heart of this conversation, though, is Anderson’s
211: Trumpeter Matilda Lloyd
Trumpeter Matilda Lloyd releases her third album on the Chandos Label featuring four premiere recordings by Roxanna Panufnik, Richard Barbard, Deborah Pritchard and Owain Park, alongside transcriptions of music by Johan Sebastian Bach, Martini, and Johann Ludwig Kreps. Matilda is an invigorating presence on the classical music scene, combining her craft with an astute eye for social media content
210: BBC Proms Director and Radio 3 Controller Sam Jackson
Audiences. Strategy. Credibility. What does cultural leadership in classical music look like when credibility is tested by data? Sam Jackson - Radio 3 Controller and BBC Proms Director - talks to Jon Jacob about Radio 3's new sound, recent listening figures (have they been spun or are they actually improving?), strategy, and his role as an audience-facing leader in a changing BBC challenged by
209: Three Choirs Festival
Composers Richard Blackford and Gavin Higgins return to the Thoroughly Good Classical Music Podcast talking about the Three Choirs Festival where Higgins has just been announced new Associate Composer. Blackford's new work The Black Lake premiered there. Also featuring CEO David Francis. Music: organist Oliver Latry's Festival improvisation in Hereford Cathedral.
208: Pianist Hanni Lang
Hello Grab a pillow and lay down. Drift off. Allow yourself to dream. Such overt direction wouldn't normally feature in a Thoroughly Good Podcast introduction, but its fitting for this one with pianist Hanni Liang who, ever the experimenter with concert formats, tests out an element of her forthcoming Edinburgh Festival appearance on me in a bit of a podcast first. Liang combines a performance
207: Pianist Mariam Batsashvili
Georgian pianist Mariam Batsashvili shares her journey from student to international artist. She reflects on her roots in Georgia’s rich musical culture, her transformative experience as a BBC New Generation Artist, and the thrill of returning to the Royal Albert Hall. Mariam discusses the emotional depth of Liszt’s music, recounts how reading Dante at 13 shaped her interpretation of his Fantasia
206: Wigmore Hall's John Gilhooly
London chamber music venue Wigmore Hall stages something in the region of 600 events a year. That’s partly why its season brochure stretches to 206 pages — and that’s just for September to December 2025. A weighty piece of print that, for some (myself included), reads more like a guaranteed programme of discovery. An in depth syllabus. A prospectus. The new season sees the usual draw of internatio
205: Composer Daniel Kidane
Four years after the premiere of ‘Woke’ at the BBC Proms in 2021, composer Daniel Kidane is riding high, this year Composer in Residence at the 2025 Aldeburgh Festival. Kidane reflects on his training, his mindset for composing, and what’s changed (or not) since the work that promoted empathy, compassion and togetherness. The BBC Symphony Orchestra performs Woke (now named Awake) at the Aldeburgh
204: Britten Sinfonia at Addenbrooke's Hospital
In this episode, Jon Jacob joins Britten Sinfonia and medical professionals at Addenbrooke’s Hospital in Cambridge to explore how live music brings moments of connection and calm in clinical settings. Recorded during hospital visits, the conversation reveals how music supports recovery and emotional wellbeing in the most challenging of environments.
203: Composer Oliver Davis introduces his new album 'Life'
This episode spotlights contemporary classical composer Oliver Davis talking about his new album Life. Davis writes music that makes a montage of your own life. Had author Augesten Burroughs had access to Davis he'd have had access to soundtracks that would have consoled and celebrated the very life BUrroughs ended up documenting in Running with Scissors. Davis brings his experience writing music
202: Bristol Beacon CEO Simon Wales
Bristol Beacon CEO Simon Wales reflects on leadership, legacy, and launching the 2025/26 orchestral season. We talk classical music, innovation, and why Bristol deserves its place as one of the UK’s great music cities.
201: Britten Pears Arts CEO Andrew Comben
Andrew Comben, Chief Executive of Britten Pears Arts, reflects on leading an organisation where legacy, place, and innovation intersect. We explore the 2025 Aldeburgh Festival, the return of Festival Extra, and how collaboration across the sector is vital to sustaining new artistic work.
200: Mezzo-soprano Jennifer Johnston
Some people raise the bar just by walking into the room. Mezzo Soprano and Creative Consultant Jennifer Johnston is one of them. We talk about her award-winning creative work during the pandemic, her journey from barrister to singer, and her latest collaboration with the London Transport Museum — recorded at the Southbank Centre ahead of Mahler 8 with the LPO.
199: Horn Player Martin Owen
Following a stunning opening concert in Manchester Camerata's new Mozart series, horn player Martin Owen talks about Mozart's Horn Concertos, working with Camerata, and a 30-year career spanning many of the UK's leading orchestras. Owen is warm, playful and generous, and that is reflected in his captivating performance. His is an instantly likeable sound on stage, one that conveys an i
198: Pianist Jan Lisiecki
Jan returns to the podcast after what we both reckon is probably around 12 years. He remains, as I dimly recall from a sunny day in Verbier, candid, down to earth, and completely and utterly absorbed by his craft. But what’s evident now — and what I definitely don’t remember sensing then — is his resolute vision: a clear sense of what he wants to do, and how he wants to do it. It’s reflected not o
197: Industrial-scale Mental Housekeeping (with Brahms)
How successfully can AI underscore a day-to-day experience like grief? Or reading a book? Or even work as a coach? It turns out surprisingly well. Far better than the pearl-clutching naysayers. 11 minutes accompanied by Brahms. All very Thoroughly Good.
196: Conductor Mark Wigglesworth
In this podcast Bournemouth Symphony Orchestra Chief Conductor discusses his view on leadership, the role he plays as a leader conducting an orchestra, and how he's developed that role in the 30 plus years of his career to date.
195: Soprano Ana Beard Fernandez
30 minutes of chat with Manchester born soprano Ana Beard Fernandez ahead of her new album - Habanera including music by Villa Lobos, Ravel, de Falla, Shostakovich and Rameau on the SOMM label featuring the Endellion Cellists, Roderick Williams, and conductor William Vann. In addition ... because it worked so well in the last episode, a book, a film and a recipe.
194: Pianist Emmanuel Despax
Pianist Emmanuel Despax reflects on his deep connection to music, the emotional power of performance, and his upcoming concerts with the Bechstein Trio at Bechstein Hall in Spring 2025
193: Mezzo Soprano and Apollo5 Director Clare Stewart
This episode, the first of 2025, features vocal group Apollo5’s Director and mezzo soprano Clare Stewart director and mezzo-soprano of Apollo5 exploring the rich textures and emotional depth of the group’s latest album, Anam, set for release on the 24th of January, 2025.
The collection of music on the album is a personal project of Clare’s celebrating the groups 15th birthday. It’s a celebration
192: Pianist Tim Horton
Pianist Tim Horton is a busy chap. Always playing the piano and playing it a lot. Wigmore Hall, Sheffield Chamber Music Festival, Ensemble 360. All manner of places. So I consider it a considerable triumph that we arranged to meet in person a week or so ago to talk about his Wigmore Hall Chopin project -- there's a concert on December 11 and one in March 2025. Its not simply the programme that I w
191: Clarinettist Robert Plane on the music of Pamela Harrison
Rob Plane introduces music that he's discovered and advocated, written by the disappointingly lesser known composer Pamela Harrison.
191: Kings Place Artistic Director Sam McShane
Continuing the theme of leadership in the arts, this Thoroughly Good Classical Music Podcast profiles the career todate of Kings Place Artistic Director Sam McShane. In the conversation that follows, you'll get a sense of Sam's distinct leadership philosophy, her vision for the venue including her aims to deepen engagement in Islington in which the venue resides. She also candidly discusses balanc
190: Conductor Chloé van Soeterstède on Leadership
What can corporate leaders learn from the conductor’s podium? What are the parallels between orchestral conducting and leadership in the workplace? New Principal Guest Conductor of the Bournemouth Symphony Orchestra Chloé van Soeterstède shares her journey from violinist and viola player to conductor, sharing insights on how to build trust, communicate vision, and influence teams. Plus, she share
189: Ivors Awards winner Roxanna Panufnik
Roxanna Panufnik wins Outstanding Wins Collection at the Ivors Classical 2024. In this episode she shares a personal selection of works plus a candid reflection on the experience of hearing the premiere of her Coronational Sactus at the King's Big Do last year.
188: Violinist Madeleine Mitchell and the music of Herbert Howells
This episode features violinist Madeleine Mitchell introducing the return of the Red Violin Festival in Leeds, her connection with Yehudi Menuhin, and the career-long fascination with composer Herbert Howells whose In Gloucestershire Quartet forms part of a new release of recordings on the SOMM label of rarely heard works by the English composer.
The Red Violin Festival runs from 14th to 19th Oc
187: Jennifer Davis and members of the Royal Opera Jette Parker Artist Programme
This episode features three singers and one conductor who have either participated in or are currently part of the Royal Opera's Jette Parker Opera Programme. Their insights explore the unique experience of this two-year scheme, focusing on the development of rehearsal and stagecraft skills, as well as the journey toward building their authentic professional identities.
186: Southbank Centre's Head of Classical Toks Dada
Toks Dada, Head of Classical Music at Southbank Centre, reflects on his four years running one of Europe's largest classical music series, drawing on his own lifelong vision. That vision balances continuity, tradition and innovation. The conversation touches on a shift in ticket buying post-pandemic and the opportunities this behavioural changes presents the classical music industry. It also
185: Soprano Claire Booth
Soprano Claire Booth discusses two new albums she's released in 2024 to mark 150th anniversary of Arnold Schoenberg's birth.
184: Composer Adrian Sutton
Composer Adrian Sutton, the creative force behind the Olivier Award-winning scores for War Horse and The Curious Incident of the Dog in the Night-Time, speaks to Jon Jacob, reflecting on his diverse career, spanning from TV advertising to his celebrated work in theatre and concert music.
As Sutton prepares for the October 2024 release of his latest album, featuring his Violin Concerto performed by
183: Sarah Alexander OBE & the National Youth Orchestra
Recorded in Stoke on Trent where members of the NYO - the National Youth Orchestra of Great Britain are rehearsing for their summer concert tour in which they perform music by Wagner, Mahler, and Missy Mazolli at Bridgewater Hall on 7 August, Saffron Hall in Cambridgeshire on 9th, and finally the BBC Proms on 10th August.
182: Pianist Alexandra Dariescu
This Thoroughly Good Classical Music Podcast episode features Romanian pianist Alexandra Dariescu who, on the 16th August releases her recording of Clara Schumann's Piano Concerto in A minor (pared the Grieg Piano Concerto). She's also playing a major role in the Leeds International Piano Competition later this year giving the first Alexandra Dariescu Award for the outstanding performance
181: Mezzo Soprano Fleur Barron
The Thoroughly Good Classical Music Podcast hears from mezzo-soprano Fleur Barron in this episode, previewing her appearance at the 2024 Ryedale Festival in particular her collaboration with dancer Suleiman Suleiman and musician Hibiki Ichikawa intertwining a Japanese Kabuki play with Schubert's iconic Winterreise song cycle.
In this podcast Fleur talks about her international influences, ill
180: Organist James McVinnie
Organist and pianist James McVinnie is Artist in Residence at Southbank Centre in London this year. His programming like many of his recordings often juxtaposes old and new These juxtapositions can bring about a delicious kind of cognitive shift for the listener. James explored his art, his approach to performance and explains more about his fascination with the intersection between baroque and m
179: Ton Koopman at BachFest
Conductor, organist, harpsichordist and lovely man Ton Koopman riffs on the joys of JS Bach at BachFest in Leipzig, ahead of his festival in the Dordogne - Itineraire Baroque - where he and the Amsterdam Baroque Orchestra will be performing Bach’s St John Passion.
178: Judith Weir's Blond Eckbert at Aldeburgh Festival
Jon Jacob speaks to ETO General Director Robin Norton-Hale and members of the cast and production team about the English Touring Opera production of Blond Eckbert that opens the 75th Aldeburgh Festival on 7th June 2024.
177: Ben Levy from Classics Explained
How can recontextualising classical music help build a new audience for the genre? Classics Explained YouTube producer Ben Levy explores the opportunities he's discovered using animation to tell the story of some of classics most-loved works, and some of the pushback he's received doing so.
176: Cellist Tim Posner
This episode spotlights a new release from cellist Tim Posner. Recorded weeks ago, this episode has I'm sorry to say been subject to all manner of technical challenges. Publication has been delayed as a result. But all good things come to those who wait. And this is GOOD.
Tim Posner's debut album includes music by Bloch, Bruch and Dohnanyi is a case in point. The music speaks for itself (especial
175: Monteverdi Choir's Israel in Egypt
Hailstones, frogs and sexy trills. Monteverdi Choir's director Peter Whelan joins Amy Wood and Nick Pritchard to introduce the detail and the colour in Handel's oratorio Israel in Egypt.
174: On Conducting and Learning to Conduct
LPO Principal Concductor Edward Gardner, and LPO Conducting Fellows Charlotte Politi and Luis Castillo-Briceño reflecting on their roles as conductors and the process of developing their conducting presence.
173: Reflections, Recommendations & Previews
Lovely people from across the classical music industry share their reflections on the year gone by, and look forward to the year ahead. Hear thoughts and recommendations from violinist Fenella Humphreys, pianist Charles Owen, Roger Wright, London Chamber Orchestra's Jocelyn Lightfoot, Manchester Camerata's Bob Riley and Manchester Collective's Rakhi Singh.
172: Thomas Guthrie and Barokksolistene
Schubert's epic and much-revered song cycle Die Schoene Mullerin is given a folksy feel with a new recording released by Rubicon Classics featuring Barokksolistene and Thomas Guthrie (who you'll hear in this podcast episode). If you're pro-deference this one probably isn't for you, but if you're open, curious or in need of a fresh approach then come on in and make yourself comf
171: Katharine Dain and Sam Armstrong introduce 'Forget This Night'
Soprano Katharine Dain and pianist Sam Armstrong reflect on the recording of their latest ravishing duo album Forget This Night, featuring the music of Lili Boulanger, Karol Szymanowski, and Grażyna Bacewicz.
170: Ivors Award-Winners John Rutter & Tansy Davies
Hear the thoughts and reflections of two Ivor Award-Winning composers - John Rutter and Tansy Davies. Both doing the same thing - writing music. Both creating entirely different work.
At the 2023 Awards at the British Film Institute in London, Tansy Davies received an Ivor Novello Award for Outstanding Works Collection. John Rutter received the Academy Fellowship - the highest honour the institu
169: Making Callas - Paris, 1958
Producer and Director Tom Volf explores his fascination with soprano Maria Callas and the work involved restoring her 1958 Paris debut for cinema release.
168: Schoenberg's Verklärte Nacht
Violinist Victoria Mullova and cellist Matthew Barley explore Schoenberg's Verklärte Nacht.
167: Miloš Karadaglić introduces 'Baroque'
Guitarist Miloš Karadaglić reflects on his work producing the new album 'Baroque' released October 2023.
166: Pianist Cordelia Williams introduces Cascade
Cordelia Williams returns to the Thoroughly Good Classical Music Podcast to talk about her new album on SOMM 'Cascade', and to reflect on her experiences teaching in Kenya.
165: Pianist Lucy Parham
Lucy Parham introduces selected piano works by Sergei Rachmaninoff ahead of her London Piano Festival appearance with actor Tim McInnery. For more information and tickets visit: https://www.kingsplace.co.uk/whats-on/london-piano-festival/
164: Composer Joseph Phibbs
Composer Joseph Phibbs returns to the podcast to introduce two new pieces premiered at Hatfield Chamber Music Festival and Wigmore Hall on 29th October and 7th October.
163: Composer Matthew Taylor
Ahead of the world premiere of Matthew Taylor's second horn concerto, Jon Jacob speaks to the composer about his work, his inspiration and the life force of Beethoven.
162: Benedetti's Call To Action
Nicola Benedetti announces the new Benedetti Baroque Sessions, a competition to participate in her Baroque orchestra, plus she pops up on Radio 4's Today to talk about what music education needs now.
161: Lost Voices with Prof Leah Broad and Violinist Fenella Humphreys
Dr Leah Broad's book Quartet tells the story of four women composers who have received little or no attention by the classical music world. The lives of Ethyl Smyth, Dorothy Howell, Rebecca Clarke and Doreen Carwithen span the 20th century and yet their music was, until a few years ago, relatively unheard of. Quartet - a substantial history of four women's compositional lives - explains wh
160: Horn player Felix Klieser
Klieser plays the horn with his feet. This seemingly monumental achievement is of comparatively little consequence to Felix who sees himself not as a differently abled artist but as a musician who wants to make the audience happy.
At a point in time when identity, representation and opportunity are words that rightly weigh heavily in our present-day discourse and thinking, it’s Klieser’s motivat
159: The Endz with Flame, Prince and the Multi-Story Orchestra
The Endz is a production mounted by school children in South London, supported by the Multi Story Orchestra, a radical performance group well-known in the industry for mounting live performances in a former multi story car park (now known as Bold Tendencies) in Peckham.
Since its Proms appearances in 2016 and 2017, the team behind the orchestra led by Kate Whitely has sought out new ways to enhanc
